Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher — John Stuart Mill — John Shaqi
Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
_The Knight_ was
still an acting play in the last quarter of the seventeenth century.
During the past thirteen years it has been acted by academic amateurs
five times in America.
FOOTNOTES:
[186] IV, 1; and II, 2.
[187] V, 3, 4.
[188] IV, 1.
[189] Between _Oriana sits down_ and _exit Oriana_, as in Dyce, Vol.
I, pp. 43-48.
[190] I, 1; I, 2; II, 2; II, 3; III, 1; IV, 4.
[191] _E. g._, the "lets" and the "alls" of IV, 4, 36-40, as numbered
in Alden's edition. The play is devoid of Fletcherian jolts.
[192] V, 2, 63, _et seq._
[193] II, 2, 90.
[194] IV, 4, 5.
[195] Macaulay, Oliphant, Bullen, and Alden.
[196] _Engl. Studien_, IX.
[197] Wallace, _Shakspere's Money Interest in the Globe, Cent. Maga._,
Aug., 1910, p. 510.
[198] Fleay, _Chr. Eng. Dr._, II, 277.
[199] Fleay, _H. S._, p. 356.
[200] Wallace, _Shakspere and the Blackfriars, Century Maga._,
Sept., 1910, p. 751.
[201] Murray, _Eng. Dram. Comp._, I, 353, who cites Nichols,
_Progresses_, IV, 1074; but Whitefriars had been destined by Keysar
and others for the Queen's Revels' Children since 1608.
[202] Rawlidge, _A Monster lately found out_, etc., 1622, as quoted by
Fleay, _H. S._, 36; Wallace, _Cent. Maga._, Aug., 1910; and Thorndike,
_Infl. of B. and F._, p. 60.
[203] See the impressive array of evidence, internal and external,
presented by Thorndike, _Infl. of B. and F._, pp. 59-63; and by Alden,
_K. B. P._, pp. 166-169 (Belles Lettres Series).
[204] Accounts in _Athenaeum_, 2, 1903, 220.
[205] Wallace, _Cent. Maga._, _Sept._ 1910, p. 747. See also
Greenstreet Papers in Fleay, _H. St._, 249.
[206] For this argument see _Engl. Studien_, XII, 309.
[207] Baudouin's French version of 1608 is merely of the episodic
narrative of _The Curious Impertinent_.
[208] _On the Influence of Spanish Literature upon English_
(_Romanische Forschungen_, XX, 613-615, _et seq._).
[209] Of this I am assured by my colleague, Professor Rudolph
Schevill, who has made a special study of the plays and their sources,
and has published some of his conclusions in the article in
_Romanische Forschungen_, already cited; others, communicated by him
to Dr. H. S. Murch, appear in _Yale Studies in English_, XXXIII, _The
K. B. P._, Introduction. Dr. A. S. W. Rosenbach's unpublished
conclusions, as cited by Miss Hatcher, _John Fletcher_, etc., 1905, p.
42, are to the same effect.
[210] Wilkins, _Miseries of Enforced Marriage_, III; Middleton, _Your
Five Gallants_, IV, 8; cited by Schevill, _ut supra_.
[211] See Schevill, _u. s._
[212] H. V. Routh, in _C. H. L._, IV, 410.
[213] The lines,
Who like Don Quixote do advance
Against a windmill our vaine lance,
occur in a copy of verses _To the Mutable Faire_ included among _The
Poems of Francis Beaumont_ in the edition of 1640. But the volume
includes numerous poems not written by Beaumont, and is one of the
most uncritical collections that ever was printed. This poem is by
Waller.
CHAPTER XXV
THE FIVE CENTRAL PLAYS