Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
His Nemesis is Aspatia, constant unto death,--and in her death,
awakening such remorse that he must die to be with her: "Aspatia!" he
cries--
The soule is fled forever, and I wrong
Myselfe so long to lose her company,
Must I talke now? Heres to be with thee, love![240]
Rymer's criticism and that of a recent essayist,[241] of "the
irrelevance of the motives that Beaumont employs" in the
characterization and conduct of Evadne have logicality of appearance,
but are based upon incorrect premises. The facts, as Beaumont gives
them, are that Evadne was "once fair" and "chastely sweet,"--before she
met the King; that she was already corrupt when she took Amintor as her
husband; that her "delicacy of feeling" after the marriage, in presence
of her Ladies of the Bedchamber, is an assumed delicacy; that she loves
the King "with ambition not with her eyes" (III, 1); that she "would
bend to any one that won his throne"; that she has accepted Amintor as a
screen, but speedily lusts for him, and is willing to give herself to
him if he will forthright kill the King (II, 1, 179):
Wilt thou kill this man?
Sweare, my Amintor, and I'le kisse the sin
Off from thy lips.
But Amintor is cautious and obliquely conscientious, not the kind of man
to satisfy her new desire, and ambition too. He could never win her by
winning the throne,--too lily-livered:
"I wonnot sweare, sweet love," says he, "till I do know
the cause";--
Then she, with passion "I wood thou wouldst."--But she is a woman whose
first behest is scorned; and with sudden revulsion of contempt for this
poltroon, as she now conceives him--
Why, it is _thou_ that wrongst me; I hate thee;
Thou shouldst have kild thy selfe.
Amintor has lost his evil chance. She despises him and yet, in her
better moments, with a kind of pity. It follows that her prompt avowal
of her liaison, and her return to the King and insulting treatment of
Amintor are of a piece with the corrupted nature of the woman,--a nature
that she displays up to the moment of her awakening and imagined
repentance. The facts are, too, that she does not, immediately after she
has sworn to her brother to let the foul soul of the King out, develop
(IV, 1), as Mr. More thinks, a "mood of sudden and overwhelming love for
Amintor." She merely asks his pardon:
I doe appeare the same, the same Evadne,
Drest in the shames I liv'd in, the same monster,
But these are names of honour to what I _am_ ... I am hell
Till you, my deare lord, shoot your light into me,
_The beames of your forgivenesse_.