Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
During the years of Beaumont's apprenticeship to Poetry cloaked as Law
things had changed but little in his world of the Inner Temple. In its
parliament, Sir Edward Coke, judicial, intrepid, and devout is still
most potent. The chamber, lodging, and rooms which his father, Mr.
Justice Beaumont, and his uncle Henry had built and occupied near to Ram
Alley in the north end of Fuller's Rents are still held by Richard
Daveys, who as Treasurer moved into them in 1601. Dr. Richard Masters is
still Master of the Temple; and in the church, where Francis was obliged
to receive the Sacrament at stated times, he, sitting perhaps by his
uncle Henry's tomb, would hear the assistant ministers, Richard Evans
and William Crashaw. The sacred place was still the refuge of outlaws
from Whitefriars who claimed the privilege of sanctuary. If Beaumont
wished to steal, after hours, into the Alsatia beyond Fuller's Rents, he
must skirt or propitiate in 1607 as in 1602 the same Cerberus at the
gates,--William Knight, the glover. Outside awaited him the hospitality
of the Mitre Inn, or of Barrow at the "Cat and Fiddle," or of the
slovenly Anthony Gibbes in his cook's shop of Ram Alley.[62]
FOOTNOTES:
[46] The King's letter to Salisbury (undated, but of 1608). Gardiner,
_Hist. Engl._ 1603-1642, II, 43-45.
[47] This much more distinguished favour has been overlooked by
Thorndike and other critics. But it is possible that Shaw, _Knights of
England_, I, 154, may be confounding him with another Carr, a
favourite of Queen Anne's.
[48] Dyce, _B. and F._, Vol. I, p. 53.
[49] Act IV, 14, 50-54.
[50] _Cf._, Lazarillo's _Farewells_, Act III, 3.
[51] See Chap. XXIV, below.
[52] Prologue, for a revival, in 1649, of _The Woman-Hater_, which
D'Avenant mistakenly attributes to Fletcher.
[53] Reasons for dating an earlier version of the play about 1604 are
given by Oliphant, _Engl. Studien_, XV, 338-339, and Thorndike, _Infl.
of B. and F._, 70-71. In its present form, however, the play dates
later than Jonson's _Epicoene_, 1610. See Gayley, _Rep. Eng. Com._,
III, _Introd._, Sec. 15.
[54] I heartily concur with W. W. Greg's interpretation, _Pastoral
Poetry and Pastoral Drama_, p. 274.
[55] See Fleay, _Chron. Eng. Dr._, I, 312, and Thorndike, _Infl. of B.
and F._, 64.
[56] Folio, 1647, 'mortallitie'; a misprint.
[57] See Chap. XXIII, below.
[58] See Guskar, _Anglia_, XXVIII, XXIX.
[59] Stiefel, _Zeitschr. f. Vergl. Litt._, XII (1898), 248; _Engl.
Stud._, XXXVI; Hatcher, _Anglia_, Feb. 1907; and Macaulay, _C. H. L._,
VI, 156.
[60] _French Influence in English Literature_, pp. 300, 308.
[61] Adapted from Cartwright in the _Commendatory Poems_, Folio of _B.
and F._, 1647.
[62] Details in Inderwick, _op. cit._, Vols. I and II, passim.
CHAPTER VII
THE "BANKE-SIDE" AND THE PERIOD OF THE PARTNERSHIP