Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
In still another way the lines on the death of Sidney's daughter are
instructive. Its noble tribute to Sidney's _Arcadia_ is payment of a
debt manifest in more than one of the dramas to which Beaumont had
contributed. Of Sir Philip, Beaumont here writes:
He left two children, who for virtue, wit,
Beauty, were lov'd of all,--thee and his writ:
Two was too few; yet death hath from us took
Thee, a more faultless issue than his book,
Which, now the only living thing we have
From him, we'll see, shall never find a grave
As thou hast done. Alas, would it might be
That books their sexes had, as well as we,
That we might see this married to the worth,
And many poems like itself bring forth.
The _Arcadia_ had already brought forth offspring: in prose, Greene's
_Menaphon_ and _Pandosto_, and Lodge's _Rosalynde_; in verse, Day's _Ile
of Guls_. It had fathered, immediately, the subplot of Shakespeare's
_King Lear_,--and, indirectly, portions of the _Winter's Tale_, and _As
You Like It_, and of other Elizabethan plays.[100] Within the twelve
months immediately preceding August 1612, it had inspired also, as we
have already observed, Beaumont and Fletcher's _Cupid's Revenge_, the
finest scenes in which are Beaumont's dramatic adaptation of romantic
characters and motives furnished by Sir Philip. And from that same
"faultless issue," the _Arcadia_, virtue, art, and beauty, loved of all,
had earlier still been drawn by Beaumont, certainly for _The Maides
Tragedy_, and, perhaps, for _Philaster_ as well.
The acquaintance with the Rutland family was continued after the death
of Francis by his brother John, and his sister Elizabeth. The Nymph "of
beauty most divine ... whose admired vertues draw All harts to love her"
in John's poem, _The Shepherdess_, is Lady Katharine Manners, daughter
of Francis, sixth Earl of Rutland, and now the wife of George Villiers,
Marquis of Buckingham; and the Shepherdess herself "who long had kept
her flocks On stony Charnwood's dry and barren rocks," the country dame
"For singing crowned, whence grew a world of fame Among the sheep
cotes," is Elizabeth Beaumont of Grace-Dieu, back on a visit from her
Seyliard home in Kent. She had wandered into the summer place of the
Rutlands and Buckinghams near the Grace-Dieu priory--"watered with our
silver brookes," and had been welcomed and had sung for them. And now
John repays the courtesy with indirect and graceful compliment.