In recent years the name San Agustin has come into prominence on account of the prehistoric ruins and monoliths that are found in its vicinity, and which are supposed to be of very great antiquity, dating back to a culture that has entirely disappeared and of which nothing definite is known. Even the Indians who to-day inhabit the region have no traditions or folk-lore of the vanished race, and scientists who have examined the ruins have, up to the present time, been unable to account for their origin. It has been suggested that they may represent the work of the tribe of Andaquias, but this statement is disputed by Carlos Cuervo Marquez, who points out that the mute reminders of an ancient civilization already existed in the same unknown condition at the time the Conquistadores overran the empire of the Chibchas. The thing that first attracted our attention was the row of twelve stone images that stand in the centre of the plaza facing the village chapel, which vary in height from two to eight feet and are carved from sandstone and granite. Gigantic heads, with round faces and staring, expressionless eyes, are set upon short, square bodies. Some are crowned with hats or head-coverings that range in pattern from the Turkish fez and sugar-loaf to curious curved caps that may have been intended to simulate the rainbow. Many of the figures are quite naked, while others are clothed in a narrow band, or loin-cloth. The teeth of many of the human beings represented are prominent, and each has two pair of great pointed canines like those of a beast. This row of images was placed in its present location by order of the priest who had charge of the parish; we may imagine at what cost of labor when we realize that many of the stones weigh several tons. Of course, there are no trails, and the only way was to drag them out of the forest with ropes. One of the monoliths represents a woman with a small child in one arm and a club in the other hand raised in an attitude of defense; on one is carved a woman meshing a _muchila_, and on another a man is holding a fish. There is the hewn figure of a large monkey crouching over a smaller one, and some distance away stands an owl holding a snake in its beak. A flat slab in a recumbent position bears the engraved figure of a woman and possibly served as the covering of a coffin or a grave. Then there is the statue of a woman with a mallet in one hand and a chisel in the other, thought to represent the goddess of sculpture. It seems not improbable that the greater number of the images represent idols which were worshipped by the ancient people. [Illustration: The village of Santa Barbara.] [Illustration: A corner of San Augustin.]