Jan of the Windmill: A Story of the Plains — John Stuart Mill — John Shaqi
Jan of the Windmill: A Story of the Plains
John Stuart Mill · en
Jan was too much pleased to hear him speak to wonder how he knew what
kind of a day it was, and Abel lay with his head in Jan’s arms, breathing
painfully and gazing before him. Suddenly he raised himself, and
cried,—so loudly that the old man outside heard the cry,—
“Janny dear! He’ve turned his face to me. He be coming right to me.
Oh! He”—
But HE had come.
CHAPTER XXVII.
JAN HAS THE FEVER.—CONVALESCENCE IN MASTER SWIFT’S COTTAGE.—THE SQUIRE ON
DEMORALIZATION.
JAN took the fever. He was very ill, too, partly from grief at Abel’s
death. He had also a not unnatural conviction that he would die, which
was unfavorable to his recovery.
The day on which he gave Master Swift his old etching as a last bequest,
he fairly infected him also with this belief, and during a necessary
visit to the village the schoolmaster hung up the little picture in his
cottage with a breaking heart.
But the next time Rufus saw him, he came to prepare for a visitor. Jan
was recovering, and Master Swift had persuaded the windmiller to let him
come to the cottage for a few days, the rather that Mrs. Lake was going
to stay with a relative whilst the windmill was thoroughly cleansed and
disinfected. The weather was delightful now, and, feeble as he had
become, Jan soon grew strong again. If he had not done so, it would have
been from no lack of care on Master Swift’s part. The old schoolmaster
was a thrifty man, and had some money laid by, or he would have been
somewhat pinched at this time. As it was, he drew freely upon his
savings for Jan’s benefit, and made many expeditions to the town to buy
such delicacies as he thought might tempt his appetite. Nor was this
all. The morning when Jan came languidly into the kitchen from the
little inner room, where he and the schoolmaster slept, he saw his
precious paint-box on the table, to fetch which Master Swift had been to
the windmill. And by it lay a square book with the word _Sketch-book_ in
ornamental characters on the binding, a couple of Cumberland lead drawing
pencils, and a three-penny chunk of bottle India-rubber, delicious to
smell.
If the schoolmaster had had any twinges of regret as he bought these
things, in defiance of his principles for Jan’s education, they melted
utterly away in view of his delight, and the glow that pleasure brought
into his pale cheeks. Master Swift was regarded, too, by a colored
sketch of Rufus sitting at table in his arm-chair, with his more mongrel
friend on the floor beside him. It was the best sketch that Jan had yet
accomplished. But most people are familiar with the curious fact that
one often makes an unaccountable stride in an art after it has been laid
aside for a time.