Jan of the Windmill: A Story of the Plains — John Stuart Mill — John Shaqi
Jan of the Windmill: A Story of the Plains
John Stuart Mill · en
At much length did the schoolmaster speak on the joys of learning, and,
pointing proudly to a few shelves filled by his savings, he formally made
Jan “free of” his books. “When ye’ve learnt to read them,” he added.
Jan thanked him for this, and for leave to visit him. But he looked out
of the window instead of at the book-shelves.
Beyond Master Swift’s gay flowers stretched the rich green of the
water-meads, glowing yellow in the sunlight. The little river hardly
seemed to move in its zig-zag path, though the evening breeze was strong
enough to show the silver side of the willows that drooped over it. Jan
wondered if he could match all these tints in the wood, and whether
Master Swift would be willing to have leaf-pictures painted on that table
in the window. Then he found that the old man was speaking, though he
only heard the latter part of what he said. “—a celebrated inventor and
mechanic, and that’s what you’ll be, maybe. Ay, ay, a Great Man, please
the Lord; and, when I’m laid by in the churchyard yonder, folks’ll come
to see the grave of old Swift, the great man’s schoolmaster. Ye’ll be an
inventor yet, lad, a benefactor to your kind, and an honor to your
country. I’m not raising false hopes in ye, without observing your
qualities. You’ve the quick eye, the slow patience, and the inventive
spark. You can find your own tools and all, and don’t stop where other
folk leaves off: witness yon bluebells ye took to make skies with! But,
bless the lad, he’s not heeding me! Is it the bit of garden you’re
looking at? Come out then.” And, putting the biography back in the
book-shelf, the kindly old man led Jan out of doors.
“Say what you said in the wood again,” said Jan.
But Master Swift laughed, and, stretching his hand towards the sweet-peas
hedge began at another part of the poem:—
“Here are sweet peas on tiptoe for a flight:
With wings of gentle flush o’er delicate white,
And taper fingers catching at all things
To bind them all about with tiny rings.”
Then, bending towards the river, he continued in a theatrical whisper:—
“How silent comes the water round that bend!
Not the minutest whisper does it send
To the o’erhanging sallows”—
But here he stopped suddenly, though Jan’s black eyes were at their
roundest, and his attention almost breathless.