Leigh Hunt's Relations with Byron, Shelley and Keats
John Stuart Mill · en
[270] For Shelley's desire for Hunt's good opinion, see _Works of
Shelley_, VIII, p. 167. Hunt's collection of poems, published during 1818,
under the title of _Foliage_ was dedicated to Shelley: "Had I known a
person more highly endowed than yourself with all the qualities that it
becomes a man to possess, I had selected for this work the ornament of his
name. One more gentle, honorable, innocent and brave; one of more exalted
toleration of all who do and think evil; one who knows better how to
receive, and how to confer a benefit though he must ever confer far more
than he can receive; one of simpler, and in the highest sense of the word,
of purer life and manners I never knew: and I had already been fortunate
in friendships when your name was added to the list."
[271] _Correspondence_, I, p. 153.
[272] _Ibid._, I, p. 154.
[273] _Ibid._, I, p. 179; March 26, 1822.
[274] In an article on the _Suburbs of Genoa and the Country about
London_, pp. 118-119.
[275] Dated August 4, 1823.
[276] The second part of the sketch was in answer to the _Quarterly
Review's_ attack on the _Posthumous Poems_, which Mrs. Shelley, aided by
Hunt, had published in 1824. This account was reworked in 1850 for the
_Autobiography_ and was taken in part for the preface to an edition of
Shelley's works in 1871. Hunt wrote another biographical sketch of Shelley
for S. C. Hall's _Book of Gems_ (p. 40). He gave a fine description of his
physical appearance not often quoted.
[277] It was considered by the _Athaneum_ to be the best part of the book,
and to be the "powerful portrait of a benevolent man." (VI, p. 70.)
[278] Letter to Ollier, February, 1858.
[279] _Atlantic Monthly_, February, 1863.
[280] Forman, _Shelley Library_, p. 113, says that the motto from _Laon
and Cythna_ was added by Hunt.
[281] Pt. 2, p. 37.
[282] P. 217.
[283] _A Shelf of Old Books_, p. 291.
[284] Hunt's _Book of the Sonnet_, which appeared posthumously, contained
a criticism of Shelley's sonnet on _Ozymandyas_ (I, p. 87).
[285] August 13 and 20, 1859.
[286] _The Examiner_, December 28, 1817.
[287] _Ibid._, July 15, 1821.
[288] _Literary Pocket Book_, London, 1819. Shelley's signature was
[Greek: D] and [Greek: S]. See Hunt, _Correspondence_, I, 125.
[289] _Literary Pocket Book_, 1821. (_Works of Shelley_, III, p. 150.)
[290] _Literary Pocket Book_, 1821. (_Works of Shelley_, III, p. 380.)
[291] _Literary Pocket Book_, 1822. (_Works of Shelley_, IV, p. 32.)
[292] _Ibid._, 1822. (_Works of Shelley_, IV, p. 49.)
[293] _Ibid._, 1823. (_Works of Shelley_, IV, p. 63.)
[294] _Ibid._, 1823. (_Works of Shelley_, IV, p. 41.)
[295] _Ibid._, 1823. Mr. Forman thinks that the poem refers to Harriet
Shelley's death and that the date is a disguise. (_Works of Shelley_, III,
p. 146.)
[296] _The Indicator_, December 22, 1819.
[297] Chapter IV.
[298] _Works of Shelley_, VIII, p. 291; November 3, 1819.
[299] _Works of Shelley_, IV, p. 359.