One of Hunt's most perfect poems, _Jaffar_, is inscribed to the memory of Shelley. The praise of _Jaffar_ and his friend's undying loyalty immediately suggest to the reader that Hunt may have been celebrating his own and Shelley's friendship. The last review to appear during Shelley's lifetime by Hunt was that of _Prometheus Unbound_ in three numbers of _The Examiner_ of 1822. A projected review of _Adonais_ alluded to in a letter of Hunt's does not seem to have seen the light of publication, but a reference in a letter at the time is worth noting: "It is the most Delphic poety I have seen in a long while: full of those embodyings of the most subtle and airy imaginations,--those arrestings and explanations of the most shadowy yearnings of our being."[273] The well-known account of Shelley's rescue of a woman on Hampstead Heath was told in _The Literary Examiner_ of August 23, 1823.[274] The same magazine of September 20 of the same year[275] contained the following _Sonnet to Percy Shelley_, given here because of its general inaccessibility: "Hast thou from earth, then, really passed away, And mingled with the shadowy mass of things Which were, but are not? Will thy harp's dear strings No more yield music to the rapid play Of thy swift thoughts, now turned thou art to clay? Hark! Is that rushing of thy spirit's wings, When (like the skylark, who in mounting sings) Soaring through high imagination's way, Thou pour'dst thy melody upon the earth, Silent for ever? Yes, wild ocean's wave Hath o'er thee rolled. But whilst within the grave Thou sleepst, let me in the love of thy pure worth One thing foretell,--that thy great fame shall be Progressive as Time's flood, eternal as the sea!"