Leigh Hunt's Relations with Byron, Shelley and Keats — John Stuart Mill — John Shaqi
Leigh Hunt's Relations with Byron, Shelley and Keats
John Stuart Mill · en
The question of rank was a thorn in the flesh, particularly to Hunt. While
in open theory he had no respect for titles, in actual practice he
groveled before them. Pride, as he thought, had made him decline all
advances from men of rank, but it was more with the air of being afraid to
trust himself than with real indifference. His exception, made in the case
of Lord Byron, is thus explained: "But talents, poetry, similarity of
political opinion, flattery of early sympathy with my boyish writings,
more flattering offers of friendship and the last climax of flattery, an
earnest waiving of his rank, were too much for me in the person of Lord
Byron."[397] On the renewal of the acquaintance in Italy, the very
familiar attitude seen in the dedication of the _Story of Rimini_, which
Hunt himself had decided was "foolish," was changed at the advice of
Shelley to an extremely formal manner of address. Hunt says that Byron did
not like the change.[398] As a matter of fact, six years of separation had
brought about other more important changes: Byron had grown more selfish
and avaricious, Hunt more helpless and vain.
Three months were spent in Pisa after Shelley's death. In September the
two families left for Genoa, travelling in separate parties and, on their
arrival, settling in separate homes, the Hunts with Mrs. Shelley. From
this time on there was little intercourse between Byron and Hunt. October
9, 1822, Byron wrote to England and denied that all three families were
living under one roof. He said that he rarely saw Hunt, not more than once
a month.[399] Hunt to the contrary said that they saw less of each other
than in Genoa yet "considerable."[400] Although at no time was there an
open breach, yet cordiality and sympathy were wholly lost on both sides in
the strain of the financial situation. They failed of agreement even on
impersonal matters. Byron had looked forward with great pleasure to Hunt's
companionship. Before they met he had written: "When Leigh Hunt comes we
shall have banter enough about those old _ruffiani_, the old dramatists,
with their tiresome conceits, their jingling rhymes, and endless play
upon words."[401] This pleasant anticipation was not realized, for Hunt's
sensitiveness in petty matters and Byron's scorn of Hunt's affectation and
of his ill-bred personal applications,[402] or so the hearer interpreted
them, reduced safe topics to Boswell's _Life of Johnson_. Even a mutual
admiration of Pope and Dryden was forgotten. Literary jealousy and vanity
fed the flames. Hunt was unable to appreciate manhood of Byron's virile
type, and he did not try to conceal the fact from one who was hungry for
praise. On the other hand, Byron did not render to Hunt the homage he was
accustomed to receive from the Cockney circle and had nothing but contempt
for all his works except the _Story of Rimini_. A statement in the
anonymous _Life of Lord Byron_, published by Iley, that the