Leigh Hunt's Relations with Byron, Shelley and Keats
John Stuart Mill · en
Unfortunately these statements were usually damned with a "but"
or "yet."
While it is now generally believed that many of the accusations made by
Hunt were true,[437] inasmuch as they are confirmed in large part by
contemporary evidence, and as truthfulness was one of Hunt's dominant
traits, yet, on the other hand, it is quite necessary to make large
allowance for the point of view and the color given by prejudice and
bitterness of spirit. That Hunt told only the truth does not justify the
injury in the slightest, for he had slept under Byron's roof and eaten of
his bread. The obligations conferred were not exactly those of benefactor
to suppliant; they were perhaps no more than Hunt's due in the light of
the responsibility voluntarily assumed by Byron; yet they could not be
destroyed or forgotten because of a refusal to acknowledge them. Worse
still, Hunt's motives proceeded from impecuniosity and revenge. Such petty
gossip of private affairs was worthy of a smaller and meaner soul. That
Hunt did not have the sanction of his own judgment and conscience is
clearly seen in the preface to the first edition where he confesses an
unwilling hand and gives as a reason for the change of scheme a too long
holiday taken after the advance of money from Colburn. He says that the
book would never have been written at all, or consigned to the flames when
finished, if he could have repaid the money.[438] His one poor defense is
that "Byron talked freely of me and mine," that the public had talked, and
that Byron knew how he felt.[439]
The book had a very large circulation. But Hunt, who had hoped to defend
himself in this manner from the calumnies afloat since the failure of _The
Liberal_, brought down a storm of abuse from the press that resulted in
his degradation and Byron's canonization. Moore's welcome was a poem, _The
Living Dog and the Dead Lion_.[440] Hunt's friends replied with _The Giant
and the Dwarf_.[441] In his life of Byron published some years later,
Moore speaks reservedly of the book, merely saying it had sunk into
deserved oblivion.[442]
Hunt's public apology and reparation, in so far as such lay in his power,
were first made in 1847 in _A Saunter Through the West End_: "No. 140
(formerly No. 13 of what was Piccadilly Terrace) was the last house which
Byron inhabited in England. Nobody needs to be told what a great wit and
fine poet he was: but everybody does not know that he was by nature a
genial and generous man spoiled by the most untoward circumstances in
early life. He vexed his enemies, and sometimes his friends; but his very
advantages have been hard upon him, and subjected him to all sorts of
temptations. May peace rest upon his infirmities, and his fame brighten as
it advances."[443] In 1848, he wrote in praise of the Ave Maria stanza in
_Don Juan_.[444] And finally and completely in his _Autobiography_ he
apologized for the heat and venom of _Lord Byron and Some of His
Contemporaries_: