Miss Million's Maid: A Romance of Love and Fortune — John Stuart Mill — John Shaqi
Miss Million's Maid: A Romance of Love and Fortune
John Stuart Mill · en
In this vestibule there was a little knot of men in chauffeurs'
liveries, with wet gleaming on the shoulders of their coats, for an
unexpected shower had just come on. I was glad of it. This gave me, too,
my excuse for waiting there, when one of the attendants slipped up to me
and looked inquiringly down at me in my correct, outdoor black things.
"I am to wait," I said, "for my mistress."
"Very good, Miss. Would you like a chair in the ladies' cloak-room?"
"No. I don't think she will be very long, thank you," I said. And I
heard Mr. Brace, behind me, saying in his embarrassed, stiff, young
voice: "I am waiting with this lady."
(The commissionaires and people must have thought that the little,
chestnut-haired lady's-maid in black had got hold of a most superior
sort of young man!)
I stepped farther up the vestibule towards a long door with a bevelled,
oval, glass-panelled top. Evidently the door of the supper-room. From
beyond it came the muffled crash and lilt of dance music that set my own
foot tapping in time on the smooth floor. I looked through the glass
panel that framed, as it were, the gayest of coloured moving pictures.
The big room was a sort of papier-maché Alhambra; all zigzaggy arches
and gilded columns and decorations, towering above a spread of
supper-tables. Silver and white napery were blushing to pink under the
glow of rosy-shaded electric candles innumerable. Some chairs were
turned up, waiting for parties. But there were plenty of people there
already; a flower-bed of frocks, made more bright by the black-and-white
border of the men's evening kit.
The ladies were all sitting on the wall seats; their cavaliers sat with
chairs slewed round, watching three or four couples one-stepping among
the tables to the music of that string band, in cream-and-gold uniforms,
who were packed away in a Moorish niche at the top of the room.
I got a burst of louder, madder music as a waiter with a tray pushed
through the swung door; a waft of warmer air, made up of the smells of
coffee, of cigarettes, of hot food, and of those perfumes of which you
catch a whiff if you pass down the Burlington Arcade--oppoponax, lilac,
Russian violet, Phul-nana--all blended together into one tepid,
overpowering whole, and, most penetrating, most unmistakable of all the
scents; the trèfle incarnat.... It reminded me that Million would buy a
great spray-bottle of mixed bouquet, and had drenched herself with it,
heedless of my theory that a properly groomed woman needs very little
added perfume.