I have no personal ambition in the spiritistic line, and all the careful observations that I made during this seance of November 21 are only one stone the more contributed to the edifice of Truth. _It is not on account of prejudice_ that I do not believe in the reality of the manifestations, and I can assure you, if I were able to see _the least_ phenomenon that was really extraordinary or inexplicable, I should be the first to confess my error. The reading of several books has led me to admit the possible reality of these manifestations, but direct experience has convinced me of the contrary. My frankness in this report unhappily borders upon indiscretion. But frankness is here synonymous with devotion, for it would be to betray you if I were false for an instant to the sacred cause of Truth. Report of M. Mathieu. (_Seance of November 25_) The seance opens at 9.30. M. Brisson, controller on the left, puts his feet on Eusapia's feet; M. Flammarion, controller on the right, holds her knees. In a moment the table leans to the right, its two left feet are lifted and then it falls back; then follows the lifting of the two right feet, and finally the lifting of the whole table off of its four feet to a height of about seven inches above the floor (contact of feet certain and knees motionless). I take a photograph. At 9.37 a slight lifting on the left; then a lifting on the right, and a total levitation (photograph). During the levitations of the table the salon is lighted by a strong Auer burner. It is now extinguished and is replaced by a little lamp which is placed behind a fire-screen at the farther end of the room. Absolute control of the hands and of the feet made by MM. Brisson and Flammarion. M. Brisson is slightly touched on the right hip, and at this moment the two hands of Eusapia are plainly seen. At 9.48 the curtain shakes and then puffs out three times in succession. M. Brisson is again touched on the right hip; the curtain is drawn back as if by a curtain-band. M. Flammarion, who holds Eusapia's hand, makes three gestures and to each of his gestures corresponds a new divergence of the portiere. Eusapia recommends that we "give attention to the temperature of the medium; it will be found to be changed after each phenomenon." At 9.57 the light is diminished and is henceforth very feeble. The curtain bellies out, and at the same moment M. Brisson is touched; then the curtain is flung forcefully over the table. At the request of Eusapia, M. Delanne lightly touches her head behind, and the curtain slightly trembles.