New York: Its Upper Ten and Lower Million — John Stuart Mill — John Shaqi
New York: Its Upper Ten and Lower Million
John Stuart Mill · en
"He will return to-morrow at ten o'clock!" she cried, and burst into a
fit of laughter, which shook her voluminous bust,--"there's two ways
of tellin' that story, my duck." (The Madam, as in all her vivacious
moments, grew metaphorical.) "Catch a weasel asleep! Fool who with your
tin 'fip!' I guess I haven't been about in the world all this while, to
be out-generaled by a snip of a boy like that!"
Louder laughed the Madam, until her bust shook again--and in the midst
of her calm enjoyment she saw--the desk and the broken lock. Her
laughter stopped abruptly. She darted forward, like a tigress rushing
on her prey. She seized the lamp and raised the lid, and saw the
contents of the desk,--packages of letters, mysterious instruments and
singular vials, all,--all,--save the red book.
The Madam could not believe her eyes. Rapidly she searched the desk,
displacing its contents and researching every nook and corner, but her
efforts were fruitless. There were packages of letters, mysterious
vials, and instruments as mysterious, but,--the red book was not there.
For the first time in her life, the Madam experienced a sensation of
fear,--unmingled fear,--and for the first time saw ruin open like
a chasm at her very feet. She grew pale, sank helplessly in her
arm-chair, and sat there like a statue,--rather like an image of
imperfectly finished wax-work,--her visage blank as a sheet of paper.
"Gone,--gone," the words escaped from her lips, "ruined, undone!"
This state of "unmasterly inactivity" continued, however, but for a
few moments. All at once she bounded from her chair, and a blasphemous
oath escaped--more strictly speaking--shot from her lips. She crossed
the floor, with a heavy stride, gave the bell-rope a violent pull, and
then, hurrying to the door screamed "Corkins! Corkins!" with all her
might.
"Why don't they come! Fools, asses!" and again, she attacked the
bell-rope, and again, hurried to the door,--"Corkins, Corkins, I say!
Halloo!"
In a few moments Corkins appeared, his spectacles awry and his
right-hand laid affectionately upon his "goatee."
"The matter?"
"Don't stand there starin' at me like a stuck-pig!" was the elegant
reply of the Madam,--"down into the cellar,--quick,--quick! Tell Slung
to come here. Not a word. Go I say!"
She pushed Corkins out of the room. Then pacing up and down the small
apartment, she awaited his return with an anxiety and suspense, very
much like madness, uttering blasphemous oaths at every step she took.
Footsteps were heard, and at length, Corkins, dressed in sober black,
appeared once more, leading Slung-Shot by the hand. The ruffian
stumbled into the room, his brutal visage, low forehead, broken nose
and elongated jaw, bearing traces of a recent debauch. Folding his
brawny arms over his red flannel shirt, he gazed sleepily at the Madam,
politely remarking at the same time--
"What de thunder's de muss,--s-a-y?"
"Are you sober?" and the Madam gave Slung a violent shake; "are you
awake?"