New York: Its Upper Ten and Lower Million — John Stuart Mill — John Shaqi
New York: Its Upper Ten and Lower Million
John Stuart Mill · en
Arthur took a silver dollar from his pocket and gave it to the girl.
"Go home," he said, "and God pity you!"
"Home!" she echoed, and took the dollar with an incredulous look,
and then uttering a strange mad laugh, she went to spend the
dollar,--one-half of it for rum and the other half to pay the rent
which she owed to Trinity Church.
(Here it occurs to us, to propose three cheers to good old Trinity
Church,--and three more to the Patent Gospel which influences the
actions of its venerable corporation. Hip--hip--hurrah! Hur--, but
somehow the cheering dies away, when one thinks for a minute of the
vast contrast between the Gospel of Trinity Church and the Gospel of
the New Testament. I somehow think we won't cheer any more.)
Up Broadway they resumed their march, Herman and Arthur, arm in arm,
and silent as the grave. To see them walk so lovingly together, you
would have thought them the best friends in the world.
What's yonder light, flashing from the window of the fourth story? The
light of a gambling hell, my friend. That light shines upon piles of
gold and upon faces haggard with the tortures of the damned.
And these half naked forms, crouching in the doorway of yonder
unfinished edifice,--huddling together in their rags, and vainly
endeavoring to keep out the winter's cold. Children,--friendless,
orphaned children. All day long they roam the streets in search of
bread, and at night they sleep together in this luxurious style.
But we have arrived at the Astor and the Park stretches before us,
the wind moaning among its leafless trees, and its lights glimmering
in a sort of mournful radiance through the gloom. The Park, whose
walks by day and night have been the theater of more tragedies of real
life,--more harrowing agony, hopeless misery, starving despair,--than
you could chronicle in the compass of a thousand volumes. Could these
flag-stones speak, how many histories might they tell--histories of
those, who, mad with the last anguish of despair, have paced these
walks at dead of night, hesitating between crime and suicide, between
the knife of the assassin and the last plunge of the self murderer!