New York: Its Upper Ten and Lower Million — John Stuart Mill — John Shaqi
New York: Its Upper Ten and Lower Million
John Stuart Mill · en
"Now you may refuse to be tried before this court on one
condition,--that you will be exposed to the gaze of this party of
gentlemen, in your present state, with your masquerade attire, and in
presence of the woman whom, but a moment since, you threatened with a
gross outrage."
Gabriel listened with keener interest.
"If you doubt that this party of gentlemen, consisting of--(he named a
number of names familiar to Godlike's ear)--are within call, your doubt
can be solved in a moment."
"It is an infernal trap," and Gabriel ground his teeth with suppressed
rage.
"If you consent to be tried by this court, be pleased to give a gesture
of assent."
Gabriel revolved for a moment within himself, and then slowly nodded
his head.
The bandage was removed from his eyes, and the kerchief from his mouth.
He slowly surveyed the scene in which, much against his will, he found
himself an actor.
It was a spacious apartment, resembling the Golden Room, the walls
were hung with black velvet, fringed with gold, and dotted with golden
flowers; the ceiling represented a gloomy sky, with the sun in the
center, struggling among clouds. It was the same to which he was about
to conduct Esther when she escaped from his arms and confronted him
with the poniard.
But in place of the voluptuous couch which had stood there, with
silken pillows and canopy white as snow, there was a large table
covered with black cloth, and extending across the room from wall
to wall, and behind the table a raised platform, on which stood an
arm-chair, beneath a canopy of dark velvet. A lighted candle in an iron
candlestick, stood on the center of the table, and near it, a knotted
rope, a book, an inkstand, and a sheet of white paper.
The judge of the court was seated in the arm-chair, under the shadow
of the canopy. His face Godlike could not see, for he wore a hat whose
ample brim concealed his features, but his white hair descended to the
collar of his coat. He wore an old-fashioned surtout of dark cloth,
with manifold capes, about the shoulders. His head was bent, his hands
clasped, his attitude that of profound quiet or profound thought.
On his left, resting one hand on the arm of his chair, was Esther; her
white dress in bold relief with the dark background. Her unbound hair
increased the death-like pallor of her face, and her eyes shone with all
their fire.
And on the right of the judge stood a huge negro, whose giant frame
was clad in a suit of sleek blue cloth, while his white cravat and
his wool, also of snow-like whiteness, increased the blackness of his
visage. It was, of course, old Royal. He also rested one hand on an arm
of the judge's chair.
And on the right and left of Gabriel's chair, stood a muscular man,
whose features were hidden by a crape mask.
The scene altogether was highly dramatic. The Borgian attire of Godlike
by no means detracted from its dramatic effect.