New York: Its Upper Ten and Lower Million — John Stuart Mill — John Shaqi
New York: Its Upper Ten and Lower Million
John Stuart Mill · en
An expression of intense sorrow passed over her face, and she remained
in the center of the room, her hand clasped over her noble bust, and
her head bowed in an attitude of deep melancholy.
"He is gone," she murmured, and passing through the spacious apartment,
she traversed the hall, and ascended the broad stairway.
At the head of the stairway was a large and roomy apartment, warmed
(like every room in the mansion) from an invisible source, which gave a
delightful temperature to the atmosphere. There was a small workstand
in the midst of the apartment, on which stood a lighted candle. A
servant maid was sleeping with her head upon the table, and one hand
resting upon a cradle at her side. In that cradle, above the verge of a
silken coverlet, appeared the face of a cherub boy, fast asleep, with
a rose on his cheek, and ringlets of auburn hair, tangled about his
forehead, white as alabaster.
This room the young mother entered, and treading on tiptoe, she
approached the cradle and bent over it, until her lips touched the
forehead of the sleeping boy. And when she rose again there was a tear
upon his cheek,--it had fallen from the blue eye of the mother.
Retiring noiselessly, she sought her own chamber, where a taper was
dimly burning before a mirror. By that faint light you might trace the
luxurious appointment of the place,--a white bed, half shadowed in an
alcove--a vase of alabaster filled with fragrant flowers--and curtains
falling like snow-flakes along the lofty windows. The idea of wifely
purity was associated with every object in that chamber.
"I shall not want you to-night, Eliza; I will undress myself,"
exclaimed Joanna to a female servant, who stood waiting near the
mirror. "You may retire."
The servant retired, and the young wife was alone. She extinguished the
taper, and all was still throughout the mansion. But she did not retire
to her bed. Advancing in the darkness, she opened a door behind the
bed, and entered the bath-room, where she lighted a lamp by the aid of
a perfumed match which she found, despite the gloom. The bath-room was
oval in shape, with an arched ceiling. The walls, the ceiling and the
floor were of white marble. In the center was the bath, resembling an
immense shell, sunk into the marble floor. This place, without ornament
or decoration of any kind, save the pure white of the walls and floor,
was pervaded by luxurious warmth. The water which filled the shell or
hollow in the center of the floor, emitted a faint but pungent perfume.
She disrobed herself and descended into the bath, suffering her golden
hair to float freely about her shoulders.