Nobody's boy (Sans famille) — John Stuart Mill — John Shaqi
Nobody's boy (Sans famille)
John Stuart Mill · en
I had to force him back on his bed; then he made signs to me to give him
his general's uniform--the red coat and trousers with gold braid, and
hat with the plume. He clasped his hands and went down on his knees to
beg me. When he saw that he could get nothing from me by begging, he
tried what anger would do, then finally melted into tears. It was
evident that we should have a great deal of trouble to convince him that
he must give up all idea of playing that night. I thought it would be
better not to let him know when we started.
When Vitalis returned, he told me to get my harp ready and all the
things we required for the entertainment. Pretty-Heart, who knew what
this meant, turned to his master and commenced his entreaties again. He
could not have better expressed his desires than by the sounds he
uttered, the twisting of his face, and the turns of his body. There were
real tears on his cheeks and they were real kisses that he imprinted on
Vitalis' hand. "You want to play?" asked Vitalis, who had not been told
what happened before.
"Yes, oh, yes!" Pretty-Heart's whole person seemed to cry out. He tried
to jump to show that he was no longer sick. We know very well that if we
took him out it would be his death.
It was time for us to start. Before going, I made up a good fire and
wrapped Pretty-Heart up in his coverlets. He cried again and embraced
me as much as he could, then we started.
As we tramped through the snow, my master told me what he expected of
me. We could not, of course, give our usual repertoire, as our principal
actors were missing, but Capi and I could vie with each other in doing
our best. We had to collect forty francs! Forty francs! It was terrible!
Impossible!
Vitalis had prepared everything. All we had to do now was to light the
candles, but this was an extravagance that we could not indulge in until
the room was filled, for our illuminations would not have to come to an
end before our entertainment.
Whilst we took possession of our theater, the town crier, with his drum,
came through the village streets for the last time. After I had dressed
Capi and myself, I went outside and stood behind a pillar to watch the
people arrive.
The roll of the drum became louder. It was approaching the market place
and I could hear a babble of voices. Behind the drum came a score of
youngsters, all keeping step. Without stopping the beating of his drum,
the town crier took up his place between the two large lamps that were
lit at the entrance of our theater. The public had only to walk in and
take their seats for the performance to commence.
Alas! how long they were coming, and yet the drum at the door continued
gayly its _rat ta ta ta_. All the boys in the village must have been
there. But it was not the youngsters who were likely to give us forty
francs. There would have to be some important people, open-handed and
generous.