[Illustration: 1. Queen's Diadem. 2 and 3. Queen's Coronation Bracelets. 4. Prince of Wales's Crown. 5. Old Imperial Crown. 6. Queen's Crown. 7. Spiritual Sceptre. 8. Temporal Sceptre.] doubt intended for defence, as a strong arm would be able to drive it through any assailant. Nothing is known of the history of this staff; though we shall probably not be far wrong if we date the orb as far back as the days of the Crusaders, on account of the portion of the "true cross" which it is said to contain. The Royal Sceptre is of gold, ornamented with precious stones; also with the rose, shamrock, and thistle, all in gold; the cross is richly jewelled, and contains a large diamond in the centre; the length of the sceptre is two feet nine inches. The Rod of Equity is three feet seven inches in length, and is made of gold set with diamonds. The orb at the top is enriched with rose diamonds, and on the cross which surmounts it stands the figure of a dove with wings expanded. This is sometimes called the Sceptre with the Dove. Another sceptre, called the Queen's Sceptre with the Cross, though much smaller, is very beautiful in design, and thickly set with precious stones. The Ivory Sceptre was made for Maria d'Este; and another sceptre, found behind the wainscoting in the apartment in which the regalia was formerly kept, is said to have been made for the queen of William III. There are also two orbs well worthy of observation, as are also the swords of Justice, ecclesiastical, and temporal, and the Sword of Mercy, or Curtana, which is pointless. A few of these will be best understood by a reference to the engravings, which shew the Ampulla for the holy oil, formed like an eagle; the Armillæ, or coronation bracelets, made of gold, and rimmed with pearls; the coronation spoon, used for anointing the sovereigns, very ancient; and the golden salt-cellar, shaped like a castle with turrets. There are several of these state salt-cellars worthy of notice; also a baptismal font, and a silver wine-fountain, beside many other valuable curiosities, which would give our work too much the appearance of a catalogue were we to describe them all.