War and its desolations, its ravages, rapine, and cruelties, have for a time swayed and dominated various parts of the earth, but, it must be considered that violence is the mere handmaid to an uplift by intellectual effort. War prepares the way for intellect and secures it an opportunity to be made manifest without molestation. If we refer to the “Catalogue des manuscripts Ethiopiens,” already mentioned, we shall find a most amazing condition of intellectual development among the ancient Ethiopians. It was this intellectual condition that made its impress upon Egypt, and the other nations of Europe and Asia, because the Ethiopians were not a conquering race by force of arms, except so far as it was necessary to protect themselves against attack. If we turn to their descendants—our Colored Americans—we find the same intellectual efforts resumed and progress going on in a marked degree under favorable circumstances and highly civilized and free conditions and environments. The same talent and genius that sculptured the exquisite Ethiopian bronze statuary recently discovered in The Soudan, carved the beautiful designs on Egyptian monuments, traced the architecture of noble palaces and immortal buildings, still traceable in ruins more than three thousand years old, and other evidences of art, is manifesting itself at the present day among our Colored Americans and other descendants in foreign countries. Consider Lethierre, once president of the School of Fine Arts at Rome, within our present generation, and view his paintings that now adorn the walls of the Louvre in Paris. We should not omit Edmonia Lewis, the sculptress, whose admirable works required a residence in Rome, nor Henry Owassa Tanner, the eminent artist, whose gems of art are represented in the fine art museums of the world. There are numerous others but these are given to emphasize the point of present Ethiopian intellectual ability. Among writers were Alexander Poushkin, the celebrated Russian poet. He was a Negro with curly hair and a black complexion, but a man of extraordinary talent and versatility, in prose fiction, and history as well as poetry. Jose Maria Heredia, the greatest of Spanish-American poets, was a Colored man, likewise the poet Placidio. We can not forget Paul de Cassagnac, of France, editor, author and poet, who was also a Colored man. Dumas, the noted dramatic author and novelist, was a colored man, and a most prolific popular author, poet, dramatist, novelist and essayist. That great production “Camille” is familiar to all theater-goers in the world, and when a man rises and says: “The world is mine,” he uses the language of Dumas’ Monte Christo, a world-wide novel that has been translated in all languages and performed on every stage.