Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty
John Stuart Mill · en
It has been told me by an acquaintance, who resided for some time in
one of our northern towns, that when hurrying to his lodgings on a wet
and very disagreeable winter evening, his curiosity was attracted by
a red glare of light which he saw issuing through the unglazed window
and partially uncovered rafters of a deserted hovel by the wayside. He
went up to it, and found the place occupied by two miserable-looking
wretches, a man and woman, who were shivering over a smouldering fire
of damp straw. These were Morrison and his wife, neither of them wholly
sober; for the woman had ere now broken down in character as well
as in circumstances. They had neither food nor money; the rain was
dropping upon them through the roof, and the winter wind fluttering
through their rags; and yet, as if there was too little in all this
to make them unhappy enough, they were adding to their miseries by
mutual recriminations. The woman, as I have said, soon sank under
the hardships of a life so entirely wretched; her unlucky partner
survived until the infirmities of extreme old age were added to his
other miseries. It is not easy to conceive how any one who passed
such a life as Morrison should have lived for the greater part of a
century; and yet so it was, that, when he visited the neighbouring
town for the last time, he was in his eighty-fifth year. And never,
certainly, was the place visited by a more squalid, miserable-looking
creature; he resembled rather a corpse set a-walking than a living man.
He was still, however, Morrison the painter, feebly eccentric, and
meanly proud: even when compelled to beg, which was often, he could
not forget that he was an artist and a gentleman. In his younger days
he had skill enough to make likenesses that could be recognised; the
things he now made scarcely resembled human creatures at all; but he
went about pressing his services on every one who had children and
spare sixpences, till he had at length well-nigh filled the town with
pictures of little boys and girls, which, in every case, the little
boys and girls got to themselves. On one occasion he went into the
shop of one of the town traders, and insisted on furnishing the trader
with the picture of one of his daughters, a little laughing _blonde_,
who was playing in front of the counter. He produced his colours,
and began the drawing; but the girl, after wondering at him till his
work was about half finished, escaped into the street, and one of her
sisters, a sober-eyed _brunette_, who had heard of the strange old
man who was “making pictures,” came running in, and took her place.
The painter held fast the intruder, and continued his drawing. “Hold,
hold, Mr. Morrison, that is another little girl you have got!” said the
trader; “that is but the sister of the first.” “Heaven bless the dear
sweet creature!” said Morrison, still plying the pencil, “they are so
very like that there can be no mistake.”