Scenes and legends of the north of Scotland : $b or, The traditional history of Cromarty
John Stuart Mill · en
An insulated pile of rock, roughened with moss and lichens, which
stands out of the beach like an old ruinous castle, surmounted by
hanging bartisans and broken turrets, conceals the cave itself, and the
skerries abreast of it, from the traveller who approaches them from the
west. It screened them this morning from the view of the shipmaster,
as, stepping lightly along the rough stones, full of impossible wishes
and imaginings, he heard the low notes of a song. He looked round to
ascertain whether a boat might not be passing, or a shepherd seated on
the hill; but he could see only a huge overgrown seal that had raised
its head over the waves, and seemed listening to the music with its
face towards the east. On turning, however, the edge of the cliff, he
saw the musician, apparently a young girl, who seemed bathing among the
cliffs, and who was now sitting half on the rock, half in the water,
on one of the outer skerries, opposite the cave. Her long yellow hair
fell in luxuriant profusion on her snowy shoulders, and as she raised
herself higher on the cliff, the sun shone on the parts below her waist
with such dazzling brightness, that the sailor raised his hands to his
eyes, and a shifting speck of light, like the reflection of a mirror,
went dancing over the shaded roughnesses of the opposite precipice.
Her face was turned towards the cave, and the notes of her song seemed
at times to be answered from it in a chorus, faint and low indeed, but
which could not, he thought, be wholly produced by echo.