The Bride of the Tomb, and Queenie's Terrible Secret
John Stuart Mill · en
Costumes were laid over the backs of chairs, and the maid who should
have been guarding them was "off duty," gossiping, no doubt, with some
humble _attache_ of the place. There was little to interest one, and
Sydney grew impatient.
Suddenly she saw a letter lying carelessly on the toilet table. She took
it up and looked at it.
It was addressed to Madame De Lisle, and had never been unsealed.
"It has been left here during the first act, and Queenie has never seen
it," she said to herself. "It looks like my husband's writing. I will
see what he has to say to her."
Recklessly, desperately, she tore it open, and drew out the sheet of
note paper.
"MY DARLING," it said simply, "meet me at the western door after
the first act is over. I _must_ see you a moment."
No name was signed to the mysterious note, but Sydney felt sure that it
was her husband's writing.
"Queenie has deceived me," she said to herself, angrily. "She is in
collusion with Lawrence. I might have known she would play me false!"
She looked about her hurriedly. A long, black silk circular, lined with
fur, hung over a chair. She put it on over her white dress, caught up a
thick veil, winding it about her head and face, and hurried out to the
retired western door.
Outside in the darkness stood a tall, muffled form.
"Queenie, is it you?" he said in unfamiliar tones.
In a moment she realized her mistake. It was not her husband, but in the
hope of unearthing some fatal mystery, she said softly:
"Yes, it is Queenie."
These words sealed her doom. The man sprang forward and caught her by
the arm.
Something bright and slender gleamed an instant in his upraised hand and
then was sheathed in her heart.
As her terrible scream of agony divided the shuddering air, he turned
and fled from the scene of his crime.
But poor Sydney, the victim of her own misguided passion lay there
dying, with the deadly steel of the assassin sheathed in her jealous
breast.
CHAPTER XXXI.
That wild and piercing cry penetrated to many ears. The manager and the
actress heard it where they stood conversing together, and though
Queenie did not know that it was Sydney's voice, still she grew pale as
death, and an indefinable fear crept coldly around her heart. The
manager put her into a chair, for he saw that she could not stand.
"Stay here until I return," he said, "I will go and see what has
happened."
He hurried round to the western door from which the sound had seemed to
proceed.
A little knot of theater _attaches_ had preceded him. They were gathered
round the prostrate form, and one had unwound the shrouding veil from
her pale face and exposed it to the air and light. Her dark eyes were
staring upward with a look of pain and horror in their starry depths,
her face was ashen white, her lips quivered with faint, anguished moans,
and her white, jeweled hands worked convulsively at the hilt of the
dagger whose deadly blade was buried in her breast.