The City of Delight: A Love Drama of the Siege and Fall of Jerusalem — John Stuart Mill — John Shaqi
The City of Delight: A Love Drama of the Siege and Fall of Jerusalem
John Stuart Mill · en
The gradual crescendo now attained deafening proportions; the hanging
lamp increased its swing; the silver coins began to strike together
with keen and exquisitely fine music. Juventius the Swan, with his dim
eyes filled with horror, was looking at them. The peculiar desperate
indifference of the wholly hopeless seized him. His long white hands
began to move with the motion of the lamp; the music of the meeting
coins became regular; he caught the note, and mounting, with a bound,
the rostrum that had been his Olympus all his life, began to sing. The
melody of his glorious voice struggled only a moment for supremacy
with the uproar of imminent death and then his increasing exaltation
gave him triumph. The great hall shook with the magnificent power of
his only song!
The Maccabee confronted Amaryllis, with fierce question in his eyes.
She pointed calmly at the heavy white curtain pulled to one side and
caught on a bracket. The brass wicket over the black mouth of the
tunnel was wide.
Without a word, the Maccabee plunged into it and was swallowed up.
Amaryllis looked after him.
"And no farewell?" she said.
The thunder of assault began at her door. Juventius sang it down. The
athlete and the girl crept toward the mouth of the black passage,
wavered a moment and plunged in. After them tumbled a confusion of
artists and servants who were swallowed up, and the hall was filled
only with music.
The woman by the lectern and the singer on the rostrum had chosen. To
live without beauty and to live without love were not possible to the
one who had known beauty all his life, to the one who had learned love
so late--after she had been beggared of her dowry of purity.
There was hardly an appreciable interval between the time of the
desertion of her artists and the thunder of assault at her door, but
in that space there passed before Amaryllis that useless retrospect
which is death's recapitulation of the life it means to take. And out
of that long procession, she singled one conviction which made the
step of the Roman on her threshold welcome. It was an old, old moral,
so old that it had never had weight with her, who believed it was time
to reconstruct the whole artistic attitude of the world.
And that was why she waited impatiently at her doorway for death,
which was a kinder thing than life.
Chapter XXIV
THE ROAD TO PELLA
There was no incident in the Maccabee's long struggle through the inky
blackness of the tunnel leading under Moriah.
It was night when the first new air from the outside world reached
him. So he rushed into great open darkness, lighted with stars, before
he knew that he had emerged from the underground passage.