The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
So saying, he took his stand on a rock of Parnassus, and drew from
his quiver two arrows of different workmanship,--one to excite love,
the other to repel it. The former was of gold and sharp pointed, the
latter blunt and tipped with lead. With the leaden shaft he struck
the nymph Daphne, the daughter of the river-god Peneüs, and with the
golden one Apollo, through the heart. Forthwith the god was seized with
love for the maiden, but she, more than ever, abhorred the thought of
loving. Her delight was in woodland sports and in the spoils of the
chase. Spurning all lovers, she prayed her father that she might remain
always unmarried, like Diana. He consented, but, at the same time,
warned her that her beauty would defeat her purpose. It was the face
of this huntress maiden that Apollo saw. He saw the charming disorder
of her hair, and would have arranged it; he saw her eyes bright as
stars; he saw her lips, and was not satisfied with only seeing them.
He longed for Daphne. He followed her; she fled swifter than the wind,
nor delayed a moment at his entreaties. "Stay," said he, "daughter of
Peneüs; I am not a foe. It is for love I pursue thee. I am no clown, no
rude peasant. Jupiter is my father. I am lord of Delphi and Tenedos. I
know all things, present and future. I am the god of song and the lyre.
My arrows fly true to the mark; but alas! an arrow more fatal than mine
has pierced my heart! I am the god of medicine and know the virtues of
all healing plants. Alas! I suffer a malady that no balm can cure."
[Illustration: FIG. 67. DAPHNE]
The nymph continues her flight and leaves his plea half-uttered. But
even as she flies she charms him. The wind catches her garments, and
her unbound hair streams loose behind her. The god, sped by Cupid,
gains upon her in the race. His panting breath blows upon her hair.
Her strength begins to fail, and, ready to sink, she calls upon her
father, the river-god: "Help me, Peneüs! open the earth to inclose me,
or change my form, which has brought me into this danger!" Scarcely had
she spoken when a stiffness seized her limbs; and little by little she
took on the appearance of a laurel tree. Apollo embraced the branches
and lavished kisses on the wood. The branches shrank from his lips.
"Since thou canst not be my wife," said he, "thou shalt assuredly be
my tree. I will wear thee for my crown. I will decorate with thee my
harp and my quiver. When the Roman conquerors conduct the triumphal
pomp to the Capitol, thou shalt be woven into wreaths for their brows.
And, as eternal youth is mine, thou also shalt be always green, and
thy leaf know no decay." The laurel tree bowed its head in grateful
acknowledgment.
The delicious humor of Lowell's extravaganza upon the story amply
justifies the following citation: