The scene upon which Zillah gazed was one which might have brought distraction and alleviation to cares and griefs even heavier than hers. Never had she seen such a sight as this which she now beheld. There before her spread away the deep blue waters of Naples Bay, dotted by the snow-white sails of countless vessels, from the small fishing-boat up to the giant ship of war. On that sparkling bosom of the deep was represented almost every thing that floats, from the light, swift, and curiously rigged lateen sloop, to the modern mail-packet. Turning from the sea the eye might rest upon the surrounding shores, and find there material of even deeper interest. On the right, close by, was the projecting castle, and sweeping beyond this the long curving beach, above which, far away, rose the green trees of the gardens of the Villa Reale. Farther away rose the hills on whose slope stands what is claimed to be the grave of Virgil, whose picturesque monument, whether it be really his or not, suggests his well-known epitaph: "I sing flocks, tillage, heroes. Mantua gave Me life; Brundusium death; Naples a grave." Through those hills runs the Titanic grotto of Posilippo, which leads to that historic land beyond--the land of the Cumaeans and Oscans; or, still more, the land of the luxurious Romans of the empire; where Sylla lived, and Cicero loved to retire; which Julius loved, and Horace, and every Roman of taste or refinement. There spread away the lake Lucrine, bordered by the Elysian Fields; there was the long grotto through which Aeneas passed; where once the Cumaean Sibyl dwelt and delivered her oracles. There was Misenum, where once the Roman navy rode at anchor; Baiae, where once all Roman luxury loved to pass the summer season; Puteoli, where St. Paul landed when on his way to Caesar's throne. There were the waters in which Nero thought to drown Agrippina, and over which another Roman emperor built that colossal bridge which set at defiance the prohibition of nature. There was the rock of Ischia, terminating the line of coast; and out at sea, immediately in front, the isle of Capri, forever associated with the memory of Tiberius, with his deep wiles, his treachery, and his remorseless cruelty. There, too, on the left and nearest Capri, were the shores of Sorrento, that earthly paradise whose trees are always green, whose fruits always ripe; there the cave of Polyphemus penetrates the lofty mountains, and brings back that song of Homer by which it is immortalized. Coming nearer, the eye rested on the winding shores of Castellamare, on vineyards and meadows and orchards, which fill all this glorious land. Nearer yet the scene was dominated by the stupendous form of Vesuvius, at once the glory and the terror of all this scene, from whose summit there never ceases to come that thin line of smoke, the symbol of possible ruin to all who dwell within sight of it. Round it lie the buried cities, whose