In forming a conclusion upon this point, it is necessary to bear in mind that to the eye of the faithful in Israel, and certainly of St. John, there were two Jerusalems, the one true, the other false, to its heavenly King; and that in exact proportion to the feelings of admiration, love, and devotion with which they turned to the one were those of pain, indignation, and alienation with which they turned from the other. The latter Jerusalem, the city of "the Jews," is that of which the Apocalyptist thinks when he speaks of it as Babylon; and, looking upon the city in this aspect as he did, the whole language of the Old Testament fully justifies him in applying to it the opprobrious name. (3) The contrast between the new Jerusalem and Babylon leads to the same conclusion. We have already more than once had occasion to allude to the principle of _antithesis_, or contrast, as affording an important rule of interpretation in many passages of this book. Nowhere is it more distinctly marked or more applicable than in the case before us. The contrast has been drawn out by a recent writer in the following words:-- "These prophecies present two broadly contrasted _women_, identified with two broadly contrasted _cities_, one reality being in each case doubly represented: as a _woman_ and as a _city_. The harlot and Babylon are one; the bride and the heavenly Jerusalem are one. "The two women are contrasted in every particular that is mentioned about them: the one is pure as purity itself, 'made ready' and fit for heaven's unsullied holiness, the other foul as corruption could make her, fit only for the fires of destruction. "The one belongs to the Lamb, who loves her as the bridegroom loves the bride; the other is associated with a wild beast, and with the kings of the earth, who ultimately hate and destroy her. "The one is clothed with fine linen, and in another place is said to be clothed with the sun and crowned with a coronet of stars: that is, robed in Divine righteousness and resplendent with heavenly glory; the other is attired in scarlet and gold, in jewels and pearls, gorgeous indeed, but with earthly splendour only. The one is represented as a chaste virgin, espoused to Christ; the other is mother of harlots and abominations of the earth. "The one is persecuted, pressed hard by the dragon, driven into the wilderness, and well-nigh overwhelmed; the other is drunken with martyr blood, and _seated on_ a beast which has received its power from the persecuting dragon. "The one sojourns in solitude in the wilderness; the other reigns 'in the wilderness' over peoples, and nations, and kindreds, and tongues. "The one goes in with the Lamb to the marriage supper, amid the glad hallelujahs; the other is stripped, insulted, torn, and destroyed by her guilty paramours. "We lose sight of the bride amid the effulgence of heavenly glory and joy, and of the harlot amid the gloom and darkness of the smoke that 'rose up for ever and ever.'"[473]