In answering these questions, it can hardly be denied that if we are to look upon the seventh Seal as standing independent and alone, its contents have not the significance which we seem entitled to expect. It is the last Seal of its own series; and when we turn to the last member of the Trumpet series at chap. xi. 15, or of the Bowl series at chap. xvi. 17, we find them marked, not by less, but by much greater, force than had belonged in either case to the six preceding members. The seventh Trumpet and the seventh Bowl sum up and concentrate the contents of their predecessors. In the one the judgments of God represented by the Trumpets, in the other those represented by the Bowls, culminate in their sharpest expression and their most tremendous potency. There is nothing of that kind in the seventh Seal if it terminates with the preparation of the Trumpet angels to sound; and the analogy of the Apocalypse therefore, an analogy supplying in a book so symmetrically constructed an argument of greater than ordinary weight, is against that supposition. Again, the larger portion of the first six verses of this chapter does not suggest the contents of the Seal. Rather would it seem as if these contents were confined to the "silence" spoken of in ver. 1, and as if what follows from ver. 2 to ver. 6 were to be regarded as no part of the Seal itself, but simply as introductory to the Trumpet visions. Everything said bears upon it the marks of preparation for what is to come, and we are not permitted to rest in what is passing as if it were a final and conclusive scene in the great spectacle presented to the Seer. For these reasons the view often entertained that the visions to which we proceed are developed out of the seventh Seal may be regarded as correct. If so, how far does the development extend? The answer invariably given to this question is, To the end of the Trumpets. But the answer is not satisfactory. The general symmetry of the Apocalypse militates against it. There is then no correspondence between the _last_ Trumpet and the _last_ Seal, nothing to suggest the thought of a development of the Bowls out of the seventh Trumpet in a manner corresponding to the development of the Trumpets out of the seventh Seal. In these circumstances the only probable conclusion is that _both_ the Bowls and the Trumpets are developed out of the seventh Seal, and that that development does not close until we reach the end of chap. xvi. If what has now been said be correct, it will throw important light upon the relation of the Seals to the two series of the Trumpets and the Bowls taken together; while, at the same time, it will lend us valuable aid in the interpretation of all the three series.