But, chief among the causes why savage religion has been so misrepresented, is the almost universal co-existence of a popularized form of religion addressed to the imagination, with that which speaks to the understanding alone. As has already been said, man's imagination is at war with his intelligence when supersensible realities, such as God and the soul, are in question. Without figures we cannot think; yet the timeless and spaceless world can ill be figured after the likeness of things limited by time and space. This mental law is the secret of the invariable association of mythology with religion. Setting aside the problem as to how the truths of natural religion (_sc._ that there is a God the rewarder of them that seek Him) are first brought home to man, it is certain that if he does not receive them embedded in history or parable, in spoken or enacted symbolism, he will soon fix and record them in some such language for himself. Christ recognized the necessity of speaking to the multitude in parables, not attempting to precise or define the indefinable; but contenting Himself with: "The Kingdom of Heaven is _like_," &c. "I am content," says Sir Thomas Browne, "to understand a mystery without a rigid definition, in an easie and Platonick description," and it is only through such easie and Platonick descriptions that spiritual truth can slowly be filtered into the popular mind. Still when we consider how prone all metaphors are to be pressed inexactly, either too far, or else not far enough, how abundant a source they are of misapprehension, owing to the curiosity that will not be content to have the gold in the ore, but must needs vainly strive to refine it out, we can well understand how mythology tends to corrupt and debase religion if it be not continually watched and weeded; and how, being, from the nature of the case, ever to the front, ever on men's lips and mingling with their lives, it should seem to the outsider to be not the imperfect garment of religion, but a substitute for it. Yet in some sense these mythologies are a safeguard of reverence in that they provide a theme for humour and profanity and rough handling, which is thus expended, not on the sacred realities themselves, but on their shadows and images. Among certain savages God's personal name is too holy to be breathed but in mysteries; yet His mythological substitute is represented to be as grotesque, freakish, and immoral as the Zeus of the populace. We can hardly enter into such a frame of mind, though possibly the irreverences and buffooneries of some of the miracle-plays of the middle ages are similarly to be explained as the rebound from the strain incident to a continual sense of the nearness of the supernatural; and perhaps the _Messer Domeniddio_ of the Florentines stood rather for a mental effigy that might be played with, than for the reasoned conception of the dread Deity. If we possessed a minutely elaborated