Neither the publishers of Valence, nor those of Dôle, nor those of Auxonne, would accept the work. At Paris one was finally found who was willing to take a half risk. The author, disillusioned but sanguine, was on the point of accepting the proposition, and was occupied with considering ways and means, when his friend the Bishop of Sens was suddenly disgraced. The manuscript was immediately copied and revised, with the result, probably, of making its tone more intensely Corsican; for it was now to be dedicated to Paoli. The literary aspirant must have foreseen the coming crash, and must have felt that the exile was to be again the liberator, and perhaps the master, of his native land. At any rate, he abandoned the idea of immediate publication, possibly in the dawning hope that as Paoli's lieutenant he could make Corsican history better than he could write it. It is this copy which has been preserved; the original was probably destroyed. The other literary efforts of this feverish time were not as successful even as those in historical writing. The stories are wild and crude; one only, "The Masked Prophet," has any merit or interest whatsoever. Though more finished than the others, its style is also abrupt and full of surprises; the scene and characters are Oriental; the plot is a feeble invention. An ambitious and rebellious Ameer is struck with blindness, and has recourse to a silver mask to deceive his followers. Unsuccessful, he poisons them all, throws their corpses into pits of quicklime, then leaps in himself, to deceive the world and leave no trace of mortality behind. His enemies believe, as he desired, that he and his people have been taken up into heaven. The whole, however, is dimly prescient, and the concluding lines of the fable have been thought by believers in augury to be prophetic. "Incredible instance! How far can the passion for fame go!" Among the papers of this period are also a constitution for the "calotte," a secret society of his regiment organized to keep its members up to the mark of conduct expected from gentlemen and officers, and many political notes. One of these rough drafts is a project for an essay on royal power, intended to treat of its origin and to display its usurpations, and which closes with these words: "There are but few kings who do not deserve to be dethroned."