likewise passed a bill establishing the censorship of the press, it was common talk that the present state of things could not last. The number of French prisoners of war and of soldiers released from the besieged fortresses in central Europe was about three hundred thousand, of whom a third were veterans of the Empire. To these must be added the army which Soult, ignorant of Napoleon's abdication, had led to defeat at Toulouse, and the soldiers who had served in Italy. These men, long accustomed to much consideration, found themselves on their return to be persons of no consequence. They learned that the great officers of the Empire were everywhere treated with scant courtesy, and that the great ladies of the imperial court were now virtually driven from the Tuileries by the significant questions and loud asides of the royal personages who had supplanted them. It was told in all public resorts how Ney had resented the rude affronts put on his wife by the Duchess of Angouleme. The well-trained subordinate officers of these contingents were turned adrift by thousands on the same terms as those of Napoleon's own army, half-pay if they showed themselves good Catholics, otherwise nothing. For the most part, again, this promise was empty; young royalists were put in their places, the pay of the old guard was reduced, a new noble guard was organized, promotion was refused to those who had received commissions during the operations of war, and the asylums established for the orphans of those who had belonged to the Legion of Honor were abolished. So bitter was the outcry that the King felt compelled to dismiss his minister of war, and, not daring to substitute Marmont, who demanded the place, appointed Soult. He too was speedily discredited for harshness to Exelmans, a subordinate who was discovered to have been in correspondence with Napoleon; and by the middle of February, 1815, nearly all the soldiers were at heart Bonapartists, their friends for the most part abetting them. [Illustration: Napoleon Exposition, 1895 THE KING OF ROME Painted by Marie Louise under direction of Isabey belonging to Messrs. Marquis and Comte de Las Cases.]