crash and bang and fury of every fight with all the artillery of epithets and similes at his command. But he was not always in a good humour or happy mood. The slight spurt of peevish susceptibility which had escaped him in their first interview was a symptom of a perpetually recurring mental ailment, half of it nervous irritability, half of it the heart-bitterness produced by the sense of his deformity. In these fits of susceptibility every glance seemed to him to be charged either with offensive pity or with ill-repressed disgust; at the very least it was an indifferent glance, and Philip felt indifference as a child of the south feels the chill air of a northern spring. Poor Tom’s blundering patronage when they were out of doors together would sometimes make him turn upon the well-meaning lad quite savagely; and his eyes, usually sad and quiet, would flash with anything but playful lightning. No wonder Tom retained his suspicions of the humpback. But Philip’s self-taught skill in drawing was another link between them; for Tom found, to his disgust, that his new drawing-master gave him no dogs and donkeys to draw, but brooks and rustic bridges and ruins, all with a general softness of black-lead surface, indicating that nature, if anything, was rather satiny; and as Tom’s feeling for the picturesque in landscape was at present quite latent, it is not surprising that Mr Goodrich’s productions seemed to him an uninteresting form of art. Mr Tulliver, having a vague intention that Tom should be put to some business which included the drawing out of plans and maps, had complained to Mr Riley, when he saw him at Mudport, that Tom seemed to be learning nothing of that sort; whereupon that obliging adviser had suggested that Tom should have drawing-lessons. Mr Tulliver must not mind paying extra for drawing; let Tom be made a good draughtsman, and he would be able to turn his pencil to any purpose. So it was ordered that Tom should have drawing-lessons; and whom should Mr Stelling have selected as a master if not Mr Goodrich, who was considered quite at the head of his profession within a circuit of twelve miles round King’s Lorton? By which means Tom learned to make an extremely fine point to his pencil, and to represent landscape with a “broad generality,” which, doubtless from a narrow tendency in his mind to details, he thought extremely dull.