Stephen mastered the little hand that was straying toward the table, and touched it lightly with his lips. Little Lucy felt very proud and happy. She and Stephen were in that stage of courtship which makes the most exquisite moment of youth, the freshest blossom-time of passion,—when each is sure of the other’s love, but no formal declaration has been made, and all is mutual divination, exalting the most trivial word, the lightest gesture, into thrills delicate and delicious as wafted jasmine scent. The explicitness of an engagement wears off this finest edge of susceptibility; it is jasmine gathered and presented in a large bouquet. “But it is really odd that you should have hit so exactly on Maggie’s appearance and manners,” said the cunning Lucy, moving to reach her desk, “because she might have been like her brother, you know; and Tom has not round eyes; and he is as far as possible from staring at people.” “Oh, I suppose he is like the father; he seems to be as proud as Lucifer. Not a brilliant companion, though, I should think.” “I like Tom. He gave me my Minny when I lost Lolo; and papa is very fond of him: he says Tom has excellent principles. It was through him that his father was able to pay all his debts before he died.” “Oh, ah; I’ve heard about that. I heard your father and mine talking about it a little while ago, after dinner, in one of their interminable discussions about business. They think of doing something for young Tulliver; he saved them from a considerable loss by riding home in some marvellous way, like Turpin, to bring them news about the stoppage of a bank, or something of that sort. But I was rather drowsy at the time.” Stephen rose from his seat, and sauntered to the piano, humming in falsetto, “Graceful Consort,” as he turned over the volume of “The Creation,” which stood open on the desk. “Come and sing this,” he said, when he saw Lucy rising. “What, ‘Graceful Consort’? I don’t think it suits your voice.” “Never mind; it exactly suits my feeling, which, Philip will have it, is the grand element of good singing. I notice men with indifferent voices are usually of that opinion.” “Philip burst into one of his invectives against ‘The Creation’ the other day,” said Lucy, seating herself at the piano. “He says it has a sort of sugared complacency and flattering make-believe in it, as if it were written for the birthday _fête_ of a German Grand-Duke.” “Oh, pooh! He is the fallen Adam with a soured temper. We are Adam and Eve unfallen, in Paradise. Now, then,—the recitative, for the sake of the moral. You will sing the whole duty of woman,—‘And from obedience grows my pride and happiness.’” “Oh no, I shall not respect an Adam who drags the _tempo_, as you will,” said Lucy, beginning to play the duet.