wanting; and elsewhere, also, Miss Deane was too popular and too distinguished a member of society in St Ogg’s for any attention toward her to be neglected. Thus Maggie was introduced for the first time to the young lady’s life, and knew what it was to get up in the morning without any imperative reason for doing one thing more than another. This new sense of leisure and unchecked enjoyment amidst the soft-breathing airs and garden-scents of advancing spring—amidst the new abundance of music, and lingering strolls in the sunshine, and the delicious dreaminess of gliding on the river—could hardly be without some intoxicating effect on her, after her years of privation; and even in the first week Maggie began to be less haunted by her sad memories and anticipations. Life was certainly very pleasant just now; it was becoming very pleasant to dress in the evening, and to feel that she was one of the beautiful things of this spring-time. And there were admiring eyes always awaiting her now; she was no longer an unheeded person, liable to be chid, from whom attention was continually claimed, and on whom no one felt bound to confer any. It was pleasant, too, when Stephen and Lucy were gone out riding, to sit down at the piano alone, and find that the old fitness between her fingers and the keys remained, and revived, like a sympathetic kinship not to be worn out by separation; to get the tunes she had heard the evening before, and repeat them again and again until she had found out a way of producing them so as to make them a more pregnant, passionate language to her. The mere concord of octaves was a delight to Maggie, and she would often take up a book of studies rather than any melody, that she might taste more keenly by abstraction the more primitive sensation of intervals. Not that her enjoyment of music was of the kind that indicates a great specific talent; it was rather that her sensibility to the supreme excitement of music was only one form of that passionate sensibility which belonged to her whole nature, and made her faults and virtues all merge in each other; made her affections sometimes an impatient demand, but also prevented her vanity from taking the form of mere feminine coquetry and device, and gave it the poetry of ambition. But you have known Maggie a long while, and need to be told, not her characteristics, but her history, which is a thing hardly to be predicted even from the completest knowledge of characteristics. For the tragedy of our lives is not created entirely from within. “Character,” says Novalis, in one of his questionable aphorisms,—“character is destiny.” But not the whole of our destiny. Hamlet, Prince of Denmark, was speculative and irresolute, and we have a great tragedy in consequence. But if his father had lived to a good old age, and his uncle had died an early death, we can conceive Hamlet’s having married Ophelia, and got through life with a reputation