Crash! Boom! We were so close the music fairly deafened us, as, with a multiplied undernote of moving feet, the march began. On came those people toward us, wave behind wave of color and magnificence, dotted with little black ovals of masks pierced by gleaming eye-holes. I could sense Barbara reading the room as it bore down on her, and reading it clearly, getting whatever it was she had come there for. Myself, I was overwhelmed, drowned in the size and sweep of everything, struggling along, whispering to her when I spotted Jim Edwards in his friar's robe, noticed that the Roman soldier who must be Cummings, and Bowman, the Spaniard, squired the Thornhill twins in their geisha girl dresses; the crimson poppies of a Lady of Dreams looked odd against Laura Bowman's coppery hair. At the head of the procession as they swung around, leading it with splendid dignity, came a pair who might have been Emperor and Empress of China--the Vandemans. To go on with affairs as if nothing had happened--though Worth Gilbert was in jail--had been the laid-down policy of both Vandeman and his wife. I'd thought it reasonable then; foolish to get hot at it now. The great, shining, rhythmically moving line deployed, interwove, and opened out again until at last the floor was almost evenly occupied with the many-colored mass. I looked at Barbara; the awful intensity with which she read her room hurt me. It had nothing to do with that flirt of a glance she always gave a printed page, that mere toss of attention she was apt to offer a problem. The child was in anguish, whether merely the ache of sorrow, or actual bodily pain; I saw how rigidly that small fist still pressed against the knitted wool of her sweater, how her lip was drawn in and bitten. Her physical weakness contrasted strangely with the clean cut decision, the absolute certainty of her mental power. She raised her face and looked straight up into mine. "Have the music stopped."