the great silver bust of St Andrew. The appearance of the Image of “Il Divo,” upon which the sunbeams were playing in dazzling coruscations of light, was greeted with a murmur of applause and satisfaction from the expectant crowd in the open. Hats were doffed; knees were bent; prayers were muttered, as with slow and cautious steps the bearers of the Image and its canopy began to descend. Having gained the lower ground in safety, a momentary halt was made, during which we were able to note the mass of votive offerings—jewels, chains, rings, watches, seals—suspended round the Saint’s neck, amongst them being many silver fishes, doubtless the gifts of grateful mariners. And at this point we were spectators of a pretty incident. A little girl with black ringlets and eager eyes was dexterously lifted on to her father’s shoulder, in order that she might present “Il Divo” with a golden chain, which the tiny fingers deftly clasped round the bejewelled neck of the silver bust. The crowd saw and applauded; it was a moment of triumph for the dark-eyed child, for the Church, and for the approving throng. With the new addition of the child’s necklet to the treasury of the Saint, the procession pursued its way through the square towards the Valley of the Mills, with banners waving, with priests chaunting in harsh monotonous tones, and with clouds of incense rising into the sun-kissed air. It was truly a beautiful and curious sight, this festival of the Church amidst people so devout and surroundings so appropriate. [Illustration: AMALFI: PIAZZA AND DUOMO]