The Recent Revolution in Organ Building: Being an Account of Modern Developments
John Stuart Mill · en
FEET. FEET.
_Foundation._ Flute 4
Contra Tibia Clausa 16 Piccolo 2
Tibia Clausa 8 _String._
Horn Diapason 8 Dulciana 16
_Wood Wind._ Viole d' Orchestre 8
Clarinet 16 Viole Celeste 8
Vox Humana (Ten C) 16 Quintadena 8
Concert Flute 8 Quint Celeste 8
Clarinet 8 Dulciana 8
Oboe Horn 8 Unda Maris (Ten C) 8
Orchestral Oboe 8 Dulcet 4
Vox Humana 8 Unda Maris 4
FEET. Swell Sub to Choir
_Percussion._ Swell Unison to Choir
Harmonic Gongs 8 Swell Octave to Choir
Unison Off. Sub-Octave. Octave. Swell to Choir second touch
One Double Touch Tablet to cause the Pedal Stops and Couplers to move
so as at all times to furnish automatically a Suitable Bass.
Ten Double Touch Adjustable Combination Keys for Choir Stops and
Suitable Bass.
SOLO ORGAN (8 STOPS).
FEET. FEET.
_Foundation._ Clarion 4
Tibia Profunda 16 _Percussion._
Tibia Plena 8 Harmonic Gongs 8
Open Diapason 8 Great to Solo.
_Brass._ Swell Sub to Solo.
Ophicleide 16 Swell Unison to Solo.
Tuba 8 Swell Octave to Solo.
Tromba 8
Four Adjustable Combination Keys.
CHANCEL PEDAL ORGAN (2 STOPS).
FEET. FEET.
Diaphonic Diapason 16 Bourdon 16
CHANCEL GREAT ORGAN (7 STOPS).
FEET. FEET.
Bourdon 16 Flote 4
Open Diapason 8 Octave Gamba 4
Doppel Flote 8 Horn 8
Gamba 8
CHANCEL CHOIR ORGAN (4 STOPS).
FEET. FEET.
Doppel Flote 8 Flote 4
Gamba 8 Horn 8
GENERAL.
Sforzando Pedal, Balanced Swell Pedal for Foundation, Balanced Swell
Pedal for Wood Wind, Balanced Swell Pedal for String, Balanced Swell
Pedal for Brass.
General Balanced Swell Pedal for all or any of the above.
Five Keys for indicating and controlling the position of the various
Swell Pedals.
Tremulant for Wood Wind.
Tremulant for String.