The Round-Up: A Romance of Arizona; Novelized from Edmund Day's Melodrama — John Stuart Mill — John Shaqi
The Round-Up: A Romance of Arizona; Novelized from Edmund Day's Melodrama
John Stuart Mill · en
It was to the modern version that Lane had succumbed. From the
Sweetwater he roved to the south of Albuquerque, where the narrow
valley of the Rio Grande is rimmed on the east by an arid plateau
twenty miles wide; and this is, in turn, walled in by a long
cordillera. Through the passes, over the summit, Lane climbed,
descending through the pineries, park-like in their grandeur and
immensity, to the bare, brown plains which stretch eastward to the
rising sun. In the midst of the desert lies a chain of salines,
accursed lakes of Tigua folk-lore. Beyond them the plain melts and
rebuilds itself in the shimmering sun.
To the south and southeast spectral peaks tower to the clouds.
Northward the blue shadows of the Sante Fe fall upon the pine-clad
foot-hills.
Along the lower slopes of the Manzano are the ruins of the ancient
pueblos. Abo and Cuarac are mounds of fallen buildings and
desert-blown sand. Solemn in their grandeur, they dominate the lonely
landscape in a land of adobe shacks.
Thirty miles from Cuarac, to the southeast, lies Tabiri, the "Grand
Quivira." Huddled on the projecting slopes of the rounded ridges,
access to it is a weary, dreary march. The nearest water is forty
miles away. Toiling through sand ankle-deep, the traveler plods across
the edge of the plains, through troughlike valleys, and up the wooded
slope of the Mesa de los Jumanos. A mile to the south a whale-back
ridge springs from the valley, nosing northward.
No sound breaks the stillness of the day. From the higher ridges the
eye falls upon the pallid ghost of the city. Blotches of juniper
relieve the monotony of the brown, lifeless grass. Grays fade into
leaden hues, to be absorbed in the ashy, indeterminate colors of the
sun-soaked plains. No fitter setting for a superstition could be
found. Once a town of fifteen hundred inhabitants, the topography of
ridge gave it an unusual shape. Ruins of three four-story terrace
houses face one another across narrow alleys. Six circular cisterns
yawn amid mounds of fallen walls. At the center of the southerly
blocks towers a gray quadrangular wall, the last of a large building.
At the western terminus of the village, where the slope falls away to
the valley, is a gigantic ruin. Its walls are thirty feet high and six
feet thick. The roof has fallen, and the topmost layers of the
bluish-gray limestone are ragged and time-worn.
The building had a frontage of two hundred and two feet, and its
greatest depth was one hundred thirty-one feet. Flat-faced prisms,
firmly laid in adobe mortar, are placed at irregular intervals in the
walls.
The northern part of the ruin is one great cross-shaped room,
thirty-eight feet wide and one hundred and thirty-one feet long. A gate
fifteen feet wide and eleven feet high opens to the eastward. A mighty
timber forms an arch supporting fifteen feet of solid masonry.