The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance
John Stuart Mill · en
signature of David McWhing appended to it, I could have thrashed that
erudite and assuredly purchased Scot within an inch of his life. The
chorus of eulogy was well-nigh universal; I was the 'genius of the
day'--the 'hope of the future generation,'--I was the "Book of the
Month,"--the greatest, the wittiest, most versatile, most brilliant
scribbling pigmy that had ever honoured a pot of ink by using it! Of
course I figured as McWhing's 'discovery,'--five hundred pounds bestowed
on his mysterious 'charity' had so sharpened his eyesight that he had
perceived me shining brightly on the literary horizon before anyone else
had done so. The press followed his 'lead' obediently,--for though the
press,--the English press at least,--is distinctly unbribable, the
owners of newspapers are not insensible to the advantages of largely
paying advertisements. Moreover, when Mr McWhing announced me as his
'find' in the oracular style which distinguished him, some other
literary gentlemen came forward and wrote effective articles about me,
and sent me their compositions carefully marked. I took the hint,--wrote
at once to thank them, and invited them to dinner. They came, and
feasted royally with Rimânez and myself;--(one of them wrote an 'Ode' to
me afterwards),--and at the conclusion of the revels, we sent two of the
'oracles' home, considerably overcome by champagne, in a carriage with
Amiel to look after them, and help them out at their own doors. And my
'boom' expanded,--London 'talked' as I had said it should; the growling
monster metropolis discussed me and my work in its own independent and
peculiar fashion. The 'upper ten' subscribed to the circulating
libraries, and these admirable institutions made a two or three hundred
copies do for all demands, by the simple expedient of keeping
subscribers waiting five or six weeks till they grew tired of asking for
the book, and forgot all about it. Apart from the libraries, the public
did not take me up. From the glowing criticisms that appeared in all the
papers, it might have been supposed that 'everybody who was anybody' was
reading my 'wonderful' production. Such however was not the case. People
spoke of me as 'the great millionaire,' but they were indifferent to the
bid I had made for literary fame. The remark they usually made to me
wherever I went was--"You have written a novel, haven't you? What an odd
thing for _you_ to do!"--this, with a laugh;--"I haven't read it,--I've
so little time--I must ask for it at the library." Of course a great
many never did ask, not deeming it worth their while; and I whose money,
combined with the resistless influence of Rimânez, had started the
favourable criticisms that flooded the press, found out that the
majority of the public never read criticisms at all. Hence, my anonymous
review of Mavis Clare's book made no effect whatever on _her_
popularity, though it appeared in the most prominent manner. It was a