The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance
John Stuart Mill · en
"Fie, for shame!" he retorted laughingly--"Be not so disloyal of speech,
Geoffrey! Are you not going to entertain the Prince of Wales?--and
shall anyone be more 'eagerly-desired' than he? No,--I must play a
humble third or even fourth on your list where Royalty is
concerned,--_my_ princedom is alas! not that of Wales,--and the throne I
might claim (if I had anyone to help me, which I have not) is a long way
removed from that of England!"
Sibyl said nothing,--but her eyes rested on his handsome face and fine
figure with an odd wonder and wistfulness, and she was very pale.
"Good-bye Lady Sibyl!" he added gently--"All joy be with you! To us who
are left behind, your absence will seem long,--but to _you_,--ah!--Love
gives wings to time, and what would be to ordinary folks a month of mere
dull living, will be for you nothing but a moment's rapture! Love is
better than wealth,--you have found that out already I know!--but I
think--and hope--that you are destined to make the knowledge more
certain and complete! Think of me sometimes! Au revoir!"
The horses started,--a handful of rice flung by the society idiot who is
always at weddings, rattled against the door and on the roof of the
brougham, and Lucio stepped back, waving his hand. To the last we saw
him,--a tall stately figure on the steps of Lord Elton's
mansion,--surrounded by an ultra-fashionable throng, ... bridesmaids in
bright attire and picture-hats,--young girls all eager and
excited-looking, each of them no doubt longing fervently for the day to
come when they might severally manage to secure as rich a husband as
myself, ... match-making mothers and wicked old dowagers, exhibiting
priceless lace on their capacious bosoms, and ablaze with diamonds, ...
men with white button-hole bouquets in their irreproachably fitting
frock-coats,--servants in gay liveries, and the usual street-crowd of
idle sight-seers;--all this cluster of faces, costumes and flowers, was
piled against the grey background of the stone portico,--and in the
midst, the dark beauty of Lucio's face and the luminance of his flashing
eyes made him the conspicuous object and chief centre of attraction, ...
then, ... the carriage turned a sharp corner,--the faces vanished,--and
Sibyl and I realised that from henceforward we were left alone,--alone
to face the future and ourselves,--and to learn the lesson of love ...
or hate ... for evermore together!
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