The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance — John Stuart Mill — John Shaqi
The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance
John Stuart Mill · en
"It is a pity you should appeal to it then;"--he responded with a
smile--"If you think so little of the public why give it anything of
your brain? It is not worthy of so rare a boon! Come, come Tempest,--do
not join in the snarl of unsuccessful authors who take refuge, when
marked unsaleable, in pouring out abuse on the public. The public is the
author's best friend and truest critic. But if you prefer to despise it,
in company with all the very little literature-mongers who form a mutual
admiration society, I tell you what to do,--print just twenty copies of
your book and present these to the leading reviewers, and when they have
written you up (as they will do--I'll take care of that) let your
publisher advertise to the effect that the 'First and Second Large
Editions' of the new novel by Geoffrey Tempest, are exhausted, one
hundred thousand copies having been sold in a week! If that does not
waken up the world in general, I shall be much surprised!"
I laughed,--I was gradually getting into a better humour.
"It would be quite as fair a plan of action as is adopted by many modern
publishers," I said--"The loud hawking of literary wares now-a-days
reminds me of the rival shouting of costermongers in a low
neighbourhood. But I will not go quite so far,--I'll win my fame
legitimately if I can."
"You can't!" declared Lucio with a serene smile--"It's impossible. You
are too rich. That of itself is not legitimate in Literature, which
great art generally elects to wear poverty in its button-hole as a
flower of grace. The fight cannot be equal in such circumstances. The
fact that you are a millionaire must weigh the balance apparently in
your favour for a time. The world cannot resist money. If I, for
example, became an author, I should probably with my wealth and
influence, burn up every one else's laurels. Suppose that a desperately
poor man comes out with a book at the same time as you do, he will have
scarcely the ghost of a chance against you. He will not be able to
advertise in your lavish style,--nor will he see his way to dine the
critics as you can. And if he should happen to have more genius than
you, and you succeed, your success will _not_ be legitimate. But after
all, that does not matter much--in Art, if in nothing else, things
always right themselves."
I made no immediate reply, but went over to my table, rolled up my
corrected proofs and directed them to the printers,--then ringing the
bell I gave the packet to my man, Morris, bidding him post it at once.
This done, I turned again towards Lucio and saw that he still sat by the
fire, but that his attitude was now one of brooding melancholy, and that
he had covered his eyes with one hand on which the glow from the flames
shone red. I regretted the momentary irritation I had felt against him
for telling me unwelcome truths,--and I touched him lightly on the
shoulder.
"Are _you_ in the dumps now Lucio?" I said--"I'm afraid my depression
has proved infectious."