The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance
John Stuart Mill · en
Would you believe it, that before we reached
Chamounix we had become the best friends in the world? He explained
himself and his rascally modes of action, and I nobly exonerated
him,--we exchanged cards,--and when we parted, this same author's
bug-bear McWhing, overcome with sentiment and whisky toddy (he is a
Scotchman you know) swore that I was the grandest fellow in the world,
and that if ever he could serve me he would. He knew my princely title
by this time, but he would have given me a still higher name. 'You are
not--_hic_--a poet yourself?' he murmured, leaning on me fondly as he
rolled to bed. I told him no. 'I am sorry--very!' he declared, the tears
of whisky rising to his eyes, 'If you had been I would have done a great
thing for you,--I would have boomed you,--_for nothing_!' I left him
snoring nobly, and saw him no more. But I think he'll recognize me,
Geoffrey;--I'll go and look him up personally. By all the gods!--if he
had only known Who held him between life and death upon the Mauvais
Pas!"
I stared, puzzled.
"But he did know"--I said--"Did you not say you exchanged cards?"
"True, but that was afterwards!" and Lucio laughed; "I assure you, my
dear fellow, we can 'manage' McWhing!"
I was intensely interested in the story as he told it,--he had such a
dramatic way of speaking and looking, while his very gestures brought
the whole scene vividly before me like a picture. I spoke out my thought
impulsively.
"You would certainly have made a superb actor, Lucio!"
"How do you know I am not one?" he asked with a flashing glance, then he
added quickly--"No,--there is no occasion to paint the face and prance
over the boards before a row of tawdry footlights like the paid mimes,
in order to be histrionically great. The finest actor is he who can play
the comedy of life perfectly, as I aspire to do. To walk well, talk
well, smile well, weep well, groan well, laugh well--and die well!--it
is all pure acting,--because in every man there is the dumb dreadful
immortal Spirit who is real,--who cannot act,--who Is,--and who steadily
maintains an infinite though speechless protest against the body's Lie!"