The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance
John Stuart Mill · en
"Oh, I don't say anything against his amusingness,"--and Morris rubbed
his nose with a doubtful air--"It's all very well for him to cut capers
and make himself agreeable if he likes,--but it's the deceit of him that
surprises me sir. You'd think to look at him that he was a decent sort
of dull chap with no ideas beyond his duty, but really sir, it's quite
the contrary, if you'll believe me. The language he uses when he's up to
his games downstairs is something frightful! And he actually swears he
learnt it from the gentlemen of the turf, sir! Last night he was play
acting, and taking off all the fashionable folks,--then he took to
hypnotising--and upon my word it made my blood run cold."
"Why, what did he do?" I asked with some curiosity.
"Well, sir, he took one of the scullery-maids and sat her in a chair and
just pointed at her. Pointed at her and grinned, for all the world like
a devil out of a pantomime. And though she is generally a respectable
sober young woman, if she didn't get up with a screech and commence
dancing round and round like a lunatic, while he kept on pointing. And
presently she got to jumping and lifting her skirts that high that it
was positively scandalous! Some of us tried to stop her and couldn't;
she was like mad, till all at once number twenty-two bell rang--that's
the prince's room,--and he just caught hold of her, set her down in her
chair again and clapped his hands. She came to directly, and didn't know
a bit what she'd been doing. Then twenty-two bell rang again, and the
fellow rolled up his eyes like a clergyman and said, 'Let us pray!' and
off he went."
I laughed.
"He seems to have a share of humour at anyrate,"--I said; "I should not
have thought it of him. But do you think these antics of his are
mischievous?"
"Well that scullery girl is very ill to-day,"--replied Morris; "I expect
she'll have to leave. She has what she calls the 'jumps' and none of us
dare tell her how she got them. No sir, believe me or not as you like,
there's something very queer about that Amiel. And another thing I want
to know is this--what does he do with the other servants?"
"What does he do with the other servants?" I repeated
bewilderedly--"What on earth do you mean?"
"Well sir, the prince has a _chef_ of his own hasn't he?" said Morris
enumerating on his fingers--"And two personal attendants besides
Amiel,--quiet fellows enough who help in the waiting. Then he has a
coachman and groom. That makes six servants altogether. Now none of
these except Amiel are ever seen in the hotel kitchens. The _chef_ sends
all the meals in from somewhere, in a heated receptacle--and the two
other fellows are never seen except when waiting at table, and they
don't live in their own rooms all day, though they _may_ sleep
there,--and nobody knows where the carriage and horses are put up, or
where the coachman and groom lodge. Certain it is that both they and the
_chef_ board out. It seems to me very mysterious."