The trap : $b Pilgrimage, Volume 8 — John Stuart Mill — John Shaqi
The trap : $b Pilgrimage, Volume 8
John Stuart Mill · en
They stood face to face, not seeing her. George in the half-light and
against the dark ancient furniture, looking more than ever like the
young Beethoven, his searching eyes bent beneath a frowning brow upon
Dora’s serene face of an intellectual madonna upturned in absent-minded
protest, while he explained, certainly not for the first time, exactly
where, in their passage across London, they had missed their way. For an
instant Miriam watched them, the beauty that together they made standing
there in perfect physical contrast, a rare pure balance, as rare as
their unmistakable equality of spirit. She rejoiced in the thought of
them set down with Michael and Densley. Four widely separated worlds met
together.
When actually they were so set down, George on her left and Dora all
delicately harmonious colour between Michael’s and Densley’s black and
white, the enchantment was so strong that she felt it must radiate to
the four corners of the room. It served to support her in face of the
absence in her thoughts of anything that could form a starting-point for
general conversation.
She took refuge with Dora. Dora’s was the mind that could enclose all
the others, and gaze over each of their territories in turn. She began
at once by accusing Dora. Making her the culprit of the wandering
pilgrimage.
Delicately flushing, her limpid absent eyes aware of the presence about
her of disturbed people waiting for conversational openings, aware also
of the restraining influence of her serene beauty, Dora defended herself
in the leisurely dimpling way that showed her armed for no matter what
conflict. Dora was at her best. Densley hung towards her delighted at
once.
Here in strange garb and unfamiliar bearing was yet, he was assuming,
the woman he understood, the woman existing in such numbers in his own
set, and vocal, until Miriam had revolted and silenced her, in all his
conversation; the woman who professes to be either amused or shocked by
sexual allusions, disguised in commonplace remarks, and jests back, or
tactfully heads off. How far, she wondered, would Dora, with her hobby
of endless cool sampling of humanity, go out to meet this naïve
masculinity? So far she sat screened, gently glowing, harmless.
If she held to this mood, went on turning upon him her lovely mild eyes,
and Densley’s warm-hearted worldliness took the field, then it was
George, indulgent to Dora’s adventure, who would be the enclosing,
contemplating mind. Already, amidst the jests that carried them through
the first courses, he was gathering fuel for the sole recreation
afforded him by chance social festivities. For mirth over the spectacle
of evasions. To-night the spectacle was all about him, all over the
room, rampant and unconscious, distracting him almost completely.
4