The Trimmed Lamp, and Other Stories of the Four Million
John Stuart Mill · en
“Dear me,” said Elsie, bewildered. “I didn’t know there was rum in
brandy balls. But I must live by some means. What shall I do?”
“Decline the position,” said the lady, “and come with me. I will tell
you what to do.”
After Elsie had told the confectioner that she had changed her mind
about the cashiership she put on her coat and followed the lady to the
sidewalk, where awaited an elegant victoria.
“Seek some other work,” said the black-and-steel lady, “and assist in
crushing the hydra-headed demon rum.” And she got into the victoria and
drove away.
“I guess that puts it up to Mr. Otter again,” said Elsie, ruefully,
turning down the street. “And I’m sorry, too, for I’d much rather make
my way without help.”
Near Fourteenth street Elsie saw a placard tacked on the side of a
doorway that read: “Fifty girls, neat sewers, wanted immediately on
theatrical costumes. Good pay.”
She was about to enter, when a solemn man, dressed all in black, laid
his hand on her arm.
“My dear girl,” he said, “I entreat you not to enter that dressing-room
of the devil.”
“Goodness me!” exclaimed Elsie, with some impatience. “The devil seems
to have a cinch on all the business in New York. What’s wrong about the
place?”
“It is here,” said the solemn man, “that the regalia of Satan—in other
words, the costumes worn on the stage—are manufactured. The stage is
the road to ruin and destruction. Would you imperil your soul by
lending the work of your hands to its support? Do you know, my dear
girl, what the theatre leads to? Do you know where actors and actresses
go after the curtain of the playhouse has fallen upon them for the last
time?”
“Sure,” said Elsie. “Into vaudeville. But do you think it would be
wicked for me to make a little money to live on by sewing? I must get
something to do pretty soon.”
“The flesh-pots of Egypt,” exclaimed the reverend gentleman, uplifting
his hands. “I beseech you, my child, to turn away from this place of
sin and iniquity.”
“But what will I do for a living?” asked Elsie. “I don’t care to sew
for this musical comedy, if it’s as rank as you say it is; but I’ve got
to have a job.”
“The Lord will provide,” said the solemn man. “There is a free Bible
class every Sunday afternoon in the basement of the cigar store next to
the church. Peace be with you. Amen. Farewell.”
Elsie went on her way. She was soon in the downtown district where
factories abound. On a large brick building was a gilt sign, “Posey &
Trimmer, Artificial Flowers.” Below it was hung a newly stretched
canvas bearing the words, “Five hundred girls wanted to learn trade.
Good wages from the start. Apply one flight up.”
Elsie started toward the door, near which were gathered in groups some
twenty or thirty girls. One big girl with a black straw hat tipped down
over her eyes stepped in front of her.
“Say, you’se,” said the girl, “are you’se goin’ in there after a job?”
“Yes,” said Elsie; “I must have work.”