The Yoke: A Romance of the Days when the Lord Redeemed the Children of Israel from the Bondage of Egypt
John Stuart Mill · en
By the deeply fringed and voluminous draperies, and by the venerable
beard, rippling and streaked with gray, the young sculptor took the
stranger to be an Israelite. As Kenkenes looked upon him, he was
minded of his father, the magnificent Mentu. There was the bearing of
the courtier, with the same wondrous stature, the same massive frame.
But the delicate features of the Egyptian, the long, slim fingers, the
narrow foot, were absent. In this man's countenance there was majesty
instead of grace; in his figure, might, instead of elegance. The
expression had need of only a little emphasis in either direction to
become benign or terrible. Kenkenes caught a single glance of the eyes
under the gray shelter of the heavy brows. Once, the young man had
seen hanging from Meneptah's neck the rarest jewel in the royal
treasure. The wise men had called it an opal. It shot lights as
beautiful and awful as the intensest flame. And something in the eyes
of this mighty man brought back to Kenkenes the memory of the fires of
that wondrous gem.
The stranger stood in profound meditation, his splendid head gradually
sinking until it rested on his breast. The arms hung by the sides.
The attitude suggested a sorrow healed by the long years until it was
no more a pain, but a memory so subduing that it depressed. At last
the great man sank to his knees, with a movement quite in keeping with
his grandeur and his mood, and bowed his head on his arms.
Pressed down with awe, Kenkenes followed his example, and although he
seemed to kneel on some rough chisel mark in the floor, he did not
shift his position. The discomfort seemed appropriate as penitence on
that holy occasion.
After a long time the stranger arose, took up the torch and quitted the
chamber. He went away more slowly than he had come, with reluctant
step and averted face.
When night and profound silence were restored in the crypt, Kenkenes
regained his feet and, examining the irritated knee, found the
offending object clinging to the impression it had made in the flesh.
The shape of the trifle sent a wild hope through his brain. Groping
through the dark, he found his lamp and lighted it with trembling hands.
He held the lapis-lazuli signet!
He did not move. He only grasped the scarab tightly and panted. The
sudden change from intense suspense to intense relief had deprived him
of the power of expression. Only his physical make-up manifested its
rebellion against the shock.