Voice production in singing and speaking, based on scientific principles
John Stuart Mill · en
Were it not for reflexes and habits, learning would be so slow one
lifetime would not suffice to make an artist. It must be apparent that
habits and reflexes are Nature's ways of economizing energy. As the
best have but a limited amount of energy, it should be the aim of
every one who will not be a mere reckless spendthrift to economize, to
make the most of what Nature has given him; hence the purpose of
practice is not only to render success more certain and more perfect,
but to make efforts tell to the fullest extent with as little
expenditure of energy to the speaker or singer as possible. _He sings
or speaks best who attains the end with the least expenditure of
energy._
It may with scientific accuracy be said that the object of the student
should be to attain to the formation of correct habits in singing and
speaking, and of the teacher to guide in this process. It follows that
all practice by the beginner should be carried out only in the
presence of one who knows the correct methods and can teach the
student how to form his habits wisely. Practice alone may not only do
little good, but, by the formation of wrong habits of production, be
positively mischievous; yet a trainer of athletes often lays more
restrictions on his ward as to when and how he shall practise, and
exercises more supervision over it, than do some teachers of singing,
in spite of the fact that the apparatus the singer or speaker uses is
much more delicate, and wrong habits much more injurious.
The admonition "Practise, practise," is greatly overdone. The best
results cannot be obtained in either singing, speaking, or playing,
with the lengthy and necessarily more or less imperfect if not
careless practice in which many students of music indulge. Better ten
minutes with the whole attention of a fresh and interested mind given
intelligently to a subject than ten hours of mere mechanical movement.
It is a mistake to suppose that the acquirement of a sound technique
is a purely mechanical process. We have shown that for all successful
effort there must be the idea, and as soon as that fades, from
weariness, etc., the practice should be discontinued. Students are
not treated fairly when given exercises the meaning or purpose of
which is not explained to them.