Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest Hello — Nietzsche — John Shaqi
Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest Hello
Nietzsche · en
Peter Gast doubts the authenticity of these letters, for, as he
truthfully points out, the love of Nietzsche for his sister, as
evidenced by an ample correspondence, was great. We recall the touching
exclamation of the sick philosopher when once at his sister's house in
Weimar he saw her weeping: "Don't cry, little sister, we are all so
happy now." That "now" had a sinister significance, for the brilliant
thinker was quite helpless and incapable of reading through the page
of a book, though he was never the lunatic pictured by some of his
opponents. A deep melancholy had settled upon his soul and he died
without enjoying the light of a returned reason. It has not occurred to
German critics that these letters even if genuine are the product of a
diseased imagination. Nietzsche became a very suspicious man after his
break with Wagner. He suffered from the mania of persecution. He hated
mankind and fled to the heights of Sils-Maria to escape what Poe aptly
described as the "tyranny of the human face."
The first thing that occurs to one after reading Beyond Good and
Evil is that Nietzsche is more French than German. It is well known
that his favourites were the _pensée_ writers, Pascal, La Bruyère,
La Rochefoucauld, Fontenelle, Chamfort, Vauvenargues. A peripatetic
because of chronic ill health--he had the nerves of a Shelley and the
stomach of a Carlyle--his ideas were jotted down during his long
walks in the Engadine. Naturally they assumed the form of aphorisms,
epigrams, _jeux d'esprit_. With his increasing illness came the
inability to write more than a few pages of connected thoughts. His
best period was between the years 1877 and 1882. He had attacked
Schopenhauer; he wished to be free to go up to the "heights" unimpeded
by the baggage of other men's ideas. It was with disquietude that his
friends witnessed the growing self-exaltation that may be noted in the
rhapsodical Zarathustra.
He felt the ground sinking under him--his pride of intellect Luciferian
in intensity--and his latter works were a desperate challenge to his
darkening brain and the world that refused to recognize his value.