Egoists, A Book of Supermen: Stendhal, Baudelaire, Flaubert, Anatole France, Huysmans, Barrès, Nietzsche, Blake, Ibsen, Stirner, and Ernest Hello
Nietzsche · en
The good, sensible old Abbé Boumisien, who advised Emma Bovary, when
she came to him for spiritual consolation, to consult her doctor
husband, was, in reality, an Abbé Lafortune. The irony of events is
set forth in sinister relief by the epitaph which the real Emma's
husband had carved on her tomb: "She was a good mother, a good wife."
Gossips of Ry aver that after the truth came to Dr. Delamarre he took
a slow poison. But this seems turning the screw a trifle too far. Mme.
Delamarre, or Emma Bovary, was buried in the graveyard of the only
church at Ry. To-day the tomb is no longer in existence. She died March
6, 1848. The inhabitants still show the church,--the porch of which
was too narrow to allow the passage of unlucky Emma's coffin--the
house of her husband, and the apothecary shop of M. Homais. The latter
survived for many years the unhappy heroine, who stole the poison that
killed her from his stock. A delightful touch of Homais-like humour was
displayed--one that exonerated Flaubert from the charge of exaggeration
in portraying Homais--when the novel appeared. The characters were at
once recognized, both in Rouen and Ry. This druggist, Jouanne-Homais,
was flattered at the lengthy study of himself, of course missing its
relentless ironic strokes. He regretted openly that the author had not
consulted him; for, said he, "I could have given him many points about
which he knew nothing." The epitaph which the real Homais composed for
the tomb of his wife--surely you can never forget her after reading the
novel--is magnificent in its bombast. Flaubert knew his man.
The distinguished writer is a sober narrator of facts. His is not a
domain of delicate thrills. His women are neither doves nor devils.
He does not paint those acrobats of the soul so dear to psychological
fiction. Despite his pretended impassibility, he is tender-hearted;
the pity he felt for his characters is not effusively expressed. But
the larger rhythms of humanity are ever present. If he had been hard of
heart, he would have related the Bovary tale as it happened in life.
Charles Bovary finds the love-letters and meets Rodolphe. Nothing
happens. The real Charles never knew of the real Emma's treachery.
Madame d'Epinay was not far amiss when she wrote: "The profession of
woman is very hard."
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