deteriorated. His love is constrained, his hatred is artificial, and rather UN TOUR DE FORCE, a slight ostentation and exaggeration. He is only genuine so far as he can be objective; only in his serene totality is he still "nature" and "natural." His mirroring and eternally self-polishing soul no longer knows how to affirm, no longer how to deny; he does not command; neither does he destroy. "JE NE MEPRISE PRESQUE RIEN"--he says, with Leibniz: let us not overlook nor undervalue the PRESQUE! Neither is he a model man; he does not go in advance of any one, nor after, either; he places himself generally too far off to have any reason for espousing the cause of either good or evil. If he has been so long confounded with the PHILOSOPHER, with the Caesarian trainer and dictator of civilization, he has had far too much honour, and what is more essential in him has been overlooked--he is an instrument, something of a slave, though certainly the sublimest sort of slave, but nothing in himself--PRESQUE RIEN! The objective man is an instrument, a costly, easily injured, easily tarnished measuring instrument and mirroring apparatus, which is to be taken care of and respected; but he is no goal, not outgoing nor upgoing, no complementary man in whom the REST of existence justifies itself, no termination--and still less a commencement, an engendering, or primary cause, nothing hardy, powerful, self-centred, that wants to be master; but rather only a soft, inflated, delicate, movable potter's-form, that must wait for some kind of content and frame to "shape" itself thereto--for the most part a man without frame and content, a "selfless" man. Consequently, also, nothing for women, IN PARENTHESI.